Word: overplaying
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...might wonder where the emotional supernovas are in from the choirgirl hotel. Boys for Pele had the mesmerizing "Caught a Lite Sneeze;" Under the Pink contained the scandalous "God;" and of course, Little Earthquakes remains a virtual apocalypse of emotion, despite the recent trends of radio stations to overplay "Silent All These Years." Is Tori Amos finally starting to make peace with the demons that drove her to create painfully honest pieces such as Earthquake's "Me and a Gun," which was based on her experience with rape? If she is, are her musical talents strong enough to substitute...
Contrasting Bridges' cavalier attitude is John Goodman as his bowling buddy Walter, who gets worked up about everything. The Coen brothers get plenty of good comic material out of this pair and thankfully don't overplay the "odd couple" element. Walter is a uniquely funny character too: though he obviously has a good heart, he can't stop his over-the-top rants. "Shomer Shabbas!" he screams, declaring his unwillingness to play an important league bowling game on the Jewish day of rest. Towards the end of the film, Goodman delivers a hilariously irrelevant, insensitive funeral elegy that somehow also...
...melody are apparent in the song's well-structured design and focus on vocals. "Hide Out" doesn't get in the way of itself. From the first downbeat, this is a rocking tune; Lech's drums propel it all the way through, but he stays restrained and doesn't overplay. Throughout Love, he plays with an acute sensitivity to dynamics and melody. tivity to dynamics and melody...
Several elements of the story suggest that the cause of their pain might be the social climate of the decade. Lee's portrayal of the 1970s is scarily realistic. He doesn't overplay period detail: the furniture is slightly tacky, the shirt lapels are wider, and Kevin Kline's sideburns come halfway down to his chin, but none of this changes the ageless, affluent suburban setting. The film lets the audience laugh at the decade, but there are disturbing undertones to even the funniest scenes...
White speaks for all the winners when he says, "The goal in my column and in other stories is to examine and expose some of the nonsense that Americans continue to believe about race. Generally, whites tend to downplay the extent of their racism--and blacks tend to overplay it. We could use a lot more openness and honesty...