Word: overwhelm
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...From the chemists' laboratories there has come no drug that will selectively attack viruses while sparing the cells in which they seek sanctuary. But nature suggests that there is a way. If it takes days or weeks for protective antibodies to develop, why does not the pullulating virus overwhelm all the victim's susceptible cells in the meantime? London's Dr. Alick Isaacs last year found a partial answer. Virus-infected cells produce a substance that Isaacs calls interferon, which spreads to neighboring, uninfected cells. With their interferon guard up, these cells are unusually resistant to viral...
...Pottle recovered quickly and played quite well from there on. The orchestra was adequate, and Mr. Walker again sang superbly. Senturia generally kept up a good balance among soloists and instruments except in the middle of the rather terrifying Dirge, where he allowed the powerful, stabbing orchestral figures to overwhelm the vocal part. The sparkling Nocturne (Tennyson), cleverly humorous Hymn (Ben Johnson), and serene Sonnet (Keats) received especially fine treatment...
...Gross national product zoomed some 7% v. the U.S.'s 4½% in 1960. Russia claims a somewhat larger G.N.P. than the Common Market, but taken together, the U.S., the Common Market, and (if the merger is completed) the United Kingdom form a potential economic force that could overwhelm the Russians...
...machine age, said Le Corbusier, the architect must take his cue from the engineer. "We have the American grain elevators and factories, the magnificent First Fruits of the new age. The American engineers overwhelm with their calculations our expiring architecture." He drew observations from everywhere: "The airplane shows us that a problem well stated finds its solution," but the "problem of the house has not been stated." Then, in his most famous dictum, he said that a house "is a machine for living in." The statement was not so inhuman as it sounded. Only architecture of "passion," he added, could...
...delights the ear. They have this in common with nonprofessional speakers of Irish English (the barroom Irish of Manhattan's Third Avenue are tedious professionals) and with the talkers of Elizabethan England, if their playwrights bear true witness. In writing about such magnificent lingoists, color threatens to overwhelm shape, as it very nearly did in Naipaul's roguish first novel, The Mystic Masseur. In these sketches about Port of Spain, he lets shape find its own way home. This makes it hard to tell just how good a writer he may be, but the color, at least...