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...OW: Definitely. Over the years, I met with a number of directors and I always left the interviews with a lukewarm, half-hearted feeling. I was beginning to think that I needed to hire a foreign director because they seemed like the ones most capable of capturing the subtleties and intricacies of the book. But when I met with Jonathan, my reaction was a resounding "YES!" He was so enthusiastic, one of the most exuberant people I've ever met, and I realized that the director simply needed to share my vision and my passion for the book...

Author: By Bill Gienapp, CONTRIBUTING WRITER | Title: WINFREY & COMPANY | 10/16/1998 | See Source »

...OW: She is a woman who's seen and experienced everything. She has endured so much hardship that very little, if anything, will rattle her. When she firsts meets Beloved, she isn't fazed at all by her odd demeanor or her creepy voice. If it were me personally, I would have said, "Get the hell out of my house!" But the real pain ofbeing a slave woman was leaving for the fieldseach day, and working hard, and not knowing ifyour children were going to be there when you gotback. That was the real hardship. True freedom isthe ability...

Author: By Bill Gienapp, CONTRIBUTING WRITER | Title: WINFREY & COMPANY | 10/16/1998 | See Source »

...OW: [laughing] Yeah, right. Actually,the producers approached me on the set and askedme if I wanted to play young Sethe and I asked howold she was supposed to be. When they told me 16 Isaid "There isn't enough gauze in all ofHollywood. You'd have to put the camera inCleveland to pull that...

Author: By Bill Gienapp, CONTRIBUTING WRITER | Title: WINFREY & COMPANY | 10/16/1998 | See Source »

...OW: I don't think it's really aboutslavery or even about color. The legacy of slaveryis an intrinsic part of the story butBeloved is not the grand saga ofreconstruction that many people may be expecting.It's about reconstruction on the personallevel--learning to trust and to love again andopening your heart to others. Fundamentally, it isa story about the relationship between mother anddaughter. And I believe Denver is the lifeforce ofthe film. She is the future, where-as Beloved isthe past...

Author: By Bill Gienapp, CONTRIBUTING WRITER | Title: WINFREY & COMPANY | 10/16/1998 | See Source »

...songs on Pilgrim that work. One Chance has a potent, brooding soulfulness; another song, Sick and Tired, features grinding, growling guitar work by Clapton as well as some strong, swaggering vocals. Partway through the song, during a down-and-dirty guitar solo, when Clapton lets loose an "Ow!" you feel, palpably, his joyful sense of abandon in wallowing in blues sorrow. These two songs alone are almost worth the price of the whole album...

Author: /time Magazine | Title: Music: A Bad Case of the Aquas | 3/30/1998 | See Source »

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