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Free Bombing Zone. The first landing zone, Goose, was only a mile south of the Ben Hai River. It was an enemy hornets' nest, and only 75 Marines were unloaded before they came under withering fire. The rest of the Marines sped to the secondary landing zone, Owl, and disembarked easily, but the men at Goose simply dug into the sand dunes and waited for their buddies on the beach to catch up with them. Then the advancing Marines hit the hole-to-hole kind of fighting that they have become accustomed to in recent weeks. Snipers would begin...

Author: /time Magazine | Title: The War: Demilitarizing the Zone | 5/26/1967 | See Source »

...head, the pilot of an experimental Bell helicopter can cause a highly sensitive TV camera mounted in the nose of his craft to swivel in the same direction. And since the camera can "see" in the dark, its TV images, reflected onto special eyeglasses, give the pilot invaluable, owl-like vision at night...

Author: /time Magazine | Title: Technology: Extending Man's Grasp | 2/24/1967 | See Source »

...cover portrait of Bennett Cerf, his head below a truncated M, gives him somewhat the appearance of a horned owl, a symbol of wisdom not inappropriate, though Mr. Cerf is a mite less taciturn...

Author: /time Magazine | Title: Letters: Dec. 30, 1966 | 12/30/1966 | See Source »

...cameos, Ken Tigar shines as Tigger, Leland Moss pleases the kiddies as Rabbit, and Mark Ritts takes off as Owl. But the genius lies in Charles Ascheim's sensitive, sunglassed portrayal of Eeyore. Here is a characterization of such depth, such impact, such raw power, that it defies description...

Author: By James Lardner, | Title: Winnie the Pooh | 12/17/1966 | See Source »

...Sweet Charlie, by David Westheimer. Broadway's racial conscience quickens whenever it pairs a white man and a Negro woman or a Negro man and a white woman to see which combination will lure more customers to the box office. Two seasons ago, the lucky combination was The Owl and the Pussycat, juxtaposing an erudite white bookstore clerk and a hoydenish Negro prostitute. My Sweet Charlie pairs a highly articulate Negro lawyer (Louis Gossett) from the North and a slatternly white mushhead of 17 (Bonnie Bedelia). One after the other, they break into a Gulf Coast cottage in search...

Author: /time Magazine | Title: Theater: Misery Hates Company | 12/16/1966 | See Source »

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