Word: owned
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Dates: during 2000-2009
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So if the most recent Harvard production, directed by James M. Leaf ’10, never quite manages to yoke the bloody, staggering energy of the text, it mostly doesn’t matter; the resulting performance still fulfills the creepy, shaking nature of Weiss’ script. ?...
The underlying story is fairly simple. Sickly with a skin disease, revolutionary leader Jean-Paul Marat (Mark A. Moody ’07) spent much of the revolution in a bathtub, writing pamphlets and soothing his sores until he was murdered by Charlotte Corday (Elyssa Jakim ’10...
Even the audience is asked to take on a double role. We are at once 1808 bourgeois intellectuals invited to witness the playacting of inmates and our own theatre-going selves, who watch both the play itself and the intellectuals’ reaction to it. This idea of surveillance and...
At times, these moments are more silly than shocking, but when they work, Leaf causes the distress the play wants. Toward the middle of the play, Corday whips Sade under his own request. No real leather is used (Jakim sets her hair to the task), but Jampol’s...
The actors also emphasized that their investment in this work is as much personal as it is professional, alluding to their own childhoods in underprivileged communities. “I have not allowed this business to remove me from the hood. People in my hood [Brooklyn] are dying in huge...