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Thus begins the main event, a one-act play by the character Leah that offers an absurdist, fractured reinterpretation of her own past, present, and future. “The show will reinforce theater as a locus where reality and dream meet. In that realm, absurd talk is the wisest...

Author: By Daniel K. Lakhdhir, CRIMSON STAFF WRITER | Title: Absurdity Obscures Meaning, Not Experience | 3/30/2010 | See Source »

The actors themselves, after a somewhat hesitant start which reflects the utter self-confidence required to say lines like “I heard my own name too late… I never got accustomed to it,” by-and-large settle into their roles. Ilker Oztop GSAS...

Author: By Daniel K. Lakhdhir, CRIMSON STAFF WRITER | Title: Absurdity Obscures Meaning, Not Experience | 3/30/2010 | See Source »

Participants of Quincy House’s very own adaptation of ABC’s “The Mole”—a popular reality game show that made suspicion second nature—uttered these accusations as part of the game’s second round...

Author: By Lauren B. Paul, CONTRIBUTING WRITER | Title: A Mole Among Us | 3/30/2010 | See Source »

In his acknowledgments, O’Brien refers to “Mrs. Adams in Winter” as a “literary experiment.” This description matches the book’s digressive structure, which shifts constantly from past to present and back again. Because of...

Author: By Grace E. Jackson, CONTRIBUTING WRITER | Title: O’Brien’s ‘Mrs. Adams’ Envisions A Nuanced Past | 3/30/2010 | See Source »

Yesterday, Scholars at Risk urged its affiliates to send letters, e-mails, and faxes of their own to the recipients of the organization’s letter.

Author: By Nitish Lakhanpal, CONTRIBUTING WRITER | Title: Scholar Denied Visitation Privileges | 3/30/2010 | See Source »

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