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Some artists go out in a blaze of glory. Titian is an obvious example: his dark, sketchy late work would be influential for centuries. Van Gogh is another: The Starry Night was produced by a man who would take his own life the following year. Pierre-Auguste Renoir went out...

Author: /time Magazine | Title: La Vie en Rose | 2/18/2010 | See Source »

For a time, Renoir worked with figures so strongly outlined that they could have been put down by Ingres with a jackhammer. By 1892, the year with which the LACMA show starts, he had drifted back toward a fluctuating Impressionist brushstroke. Firmly contoured or flickering, his softly sculpted women are...

Author: /time Magazine | Title: La Vie en Rose | 2/18/2010 | See Source »

That picture is in the LACMA show, along with works by Matisse, Bonnard and Maillol, to demonstrate Renoir's influence. What's apparent from these, however, is that Renoir was most valuable as a stepping-stone for artists making more potent use of the ideas he was developing. The heart...

Author: /time Magazine | Title: La Vie en Rose | 2/18/2010 | See Source »

That's the message from the founders of Please Rob Me, a website launched on Tuesday that illustrates just how easy it is to rob people blind on the basis of the information they're posting on the Web. The site uses streams of data from Foursquare, an increasingly popular...

Author: /time Magazine | Title: Please Rob Me: The Dangers of Online Oversharing | 2/18/2010 | See Source »

Bigelow has often found herself at the center of discussions on gender and filmmaking; this year, as the fourth female director ever to be up for an Oscar, she is even more so. The topic sends her back to her art-world days. "I never thought of a particular artist...

Author: /time Magazine | Title: Kathryn Bigelow: The Front Runner | 2/18/2010 | See Source »

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