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“Volume Two” is chock full of pretty songs, but few of them truly stand out on their own. One exception is opening track “Thieves.” This cut sets the swingy, retro feel of the album, as Deschanel sings seemingly frivolous...

Author: By Candace I. Munroe, CRIMSON STAFF WRITER | Title: She & Him | 3/23/2010 | See Source »

Although it is pleasant to see a talented writer branch into new territory, exposition remains McPhee’s strength and thus his longer, more journalistic pieces are most rewarding. McPhee’s style is unique, but in a way that does not encroach upon the material. The worst...

Author: By Abigail B. Lind, CRIMSON STAFF WRITER | Title: John McPhee’s ‘Silk Parachute’ Is an Uplifting Triumph of Style | 3/23/2010 | See Source »

“I’ve spent the most of these past three weeks struggling with [drug] withdrawal symptoms,” she wrote in an e-mail to her resident dean in February. “It seemed that the University went from caring whether I was chronically...

Author: By Melody Y. Hu and Eric P. Newcomer, CRIMSON STAFF WRITERS | Title: Forced Withdrawals Come Under Fire | 3/23/2010 | See Source »

The film, however, does little more than present clips of these shows in relatively unexciting footage. Much of the film is shot in black and white, a treatment completely contrary to the White Stripes’ fervent belief that their music is spontaneous and immediate—not emulative and...

Author: By Benjamin Naddaff-Hafrey, CRIMSON STAFF WRITER | Title: The White Stripes | 3/23/2010 | See Source »

In breathing literary life into Hosea, Steinberg asks several basic questions: What makes a person into a prophet? What character traits would one possess, and what sort of life would lead to such a calling? In Hosea’s case, the Bible is silent on his personal formation, allowing...

Author: By Yair Rosenberg, CRIMSON STAFF WRITER | Title: Steinberg Renews Jewish Literary Tradition in ‘Prophet’s Wife’ | 3/23/2010 | See Source »

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