Word: oxenburg
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...begun on what will surely be a landmark in modern movie-making. The twentieth century fairy-tale come true, captured for all America in prime time, maybe on cable someday. And who will star as Diana, the shy kindergarten teacher-turned-princess and proud mother? None other than Catherine Oxenburg...
Although Romance marks Oxenburg's acting debut, we have learned from numerous magazine and newspaper articles that she is no stranger to the ways of the upper classes. Related to both Charles and Prince Philip, she calls Princess Elizabeth of Yugoslavia "Mom" and is a cousin of Queen Sofia of Spain. The late Princess Marina of Greece, also known as the Dutchess of Kent, was a great aunt. Hair trimmed and parted to the side Diana-style, Catherine hauntingly resembles the real-life queen...
...Pennypacker 25 ranged from "I don't care who the wench is; I need her tonight" to the beautiful-young-heiress-promised-to-an-ugly-Greek-oil-magnate-but-yearning-to-run-off-with-an-average-guy-from-northern. New Jersey-scenario. The problem was, you see, that Catherine Oxenburg, 215 King's Road, Chelsea, London, England SW3 was nothing more than a 1-in-by-1 1/2-in picture in the Freshman Register. She had a telephone number and a campus address in Canaday Hall, but Catherine Oxenburg never became the soft flesh and silky hair we yearned...
From the Social Register. The men responsible for the American Opera Society's consistent success are Conductor Gamson, 29, and his cousin, Director Allen Sven Oxenburg, 30. When they were both students at the Juilliard School of Music, they developed a passion for Renaissance music, decided it ought to be played as it was originally in the homes of the rich. Founders Gamson and Oxenburg achieved their place in the sun through awnings. "Mother," Gamson explains, "is in awnings-the Port Chester [N.Y.] Shade & Awning Co.-and since they are very expensive awnings only people with money buy them...
...Fields. Though they have since moved into major concert halls, Gamson, Oxenburg and Co. still produce works that are rarely if ever done by other companies in the U.S. or abroad-Gluck's Le Cadi Dupe, Purcell's Witch of Endor, Cherubini's Medea, Handel's Julius Caesar. Despite packed houses, the company's current deficit runs to about $35,000 a season-which in the opera business really adds up to a howling financial success. Contributions ("We never know where we're going to get the money") cover the losses...
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