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Word: oyamada (lookup in dictionary) (lookup stats)
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...Keigo Oyamada remembers well his first encounter with rock 'n' roll. He was in the fifth grade and an older cousin played him some Love Gun-era Kiss. "I liked them right off," says Oyamada, 33. "They all looked like manga monsters to me." That initiation into the concept of rock 'n' roll as fantasy would be the germination of Oyamada's own career. (He acquired his musical pseudonym, Cornelius, from the name of a friendly simian in the 1968 movie Planet of the Apes.) But instead of platform leather boots, pancake makeup and pyrotechnic stage shows, Oyamada would...

Author: /time Magazine | Title: Supreme Ape Leader | 2/25/2002 | See Source »

...Despite all the hype?and bankable successes?there's still a naive, slightly dreamy look about Oyamada as he sits in his private recording studio in Nakameguro, Tokyo, flipping through pages of a worn-out manga magazine. It's only when he speaks that one detects the full weight of his 10 years in the Japanese indie-rock scene. "I'm not really into that whole rock and roll lifestyle," he says. "Even traveling in Europe, everything's kind of new and fresh and fun at first, but when you're doing the same thing 80 times...

Author: /time Magazine | Title: Supreme Ape Leader | 2/25/2002 | See Source »

...bored with touring, perhaps, but never fatigued of expressing himself in the studio. Much of Point is still a microcosmic view of Oyamada's kaleidoscopic tastes in sound?on the track I Hate Hate, for example, he leaps across genres spanning thrash metal, techno and jazz. Point, as the words of the album's subtitle from Nakameguro to Everywhere suggests, is Oyamada's more grown-up, global take on life. The album's introspective mood (with ambiant sound effects of birds chirping and of rushing water) reflects recent developments in the artist's own private life: namely his marriage...

Author: /time Magazine | Title: Supreme Ape Leader | 2/25/2002 | See Source »

...endless bag of tricks that Cornelius (the alias of avant-popster Keigo Oyamada) seems to have at his disposal and his undeniable talent as a sampler make Point, a potentially formulaic album, such a triumph. Cornelius is so good at regulating the give-and-take of his layered compositions that, rather than coming off as stiff and mechanical, they sound alive, constantly in motion. From a simple repeated-riff and sampled voice motif, “Point of View Point” blossoms effortlessly into a sparkling summertime anthem. “Another View Point” is a hypnotic...

Author: By Crimson STAFF Writers, CRIMSON STAFF WRITER | Title: New Music | 2/8/2002 | See Source »

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