Word: oz.
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...sodium in processed food that's a problem," says Eve Felder, a dean at the Culinary Institute of America. Artisanal salts are meant to be used sparingly atop prepared food, so chances are those few extra sprinkles won't do you in. Although, at $6 for a 3-oz. jar of your basic fleur de sel, the price just might...
...groups were significantly more hyperactive when drinking the beverage with higher levels of additives. Three-year-olds had a bigger response than the older kids did to the drink with the lower dose of additives, which had about the same amount of food coloring as in two 2-oz. (57 g) bags of candy. But even within each age group, some children responded strongly and others not at all. Stevenson's team is looking at how genetic differences may explain the range of sensitivity. One of his colleagues believes that the additives may trigger a release of histamines in sensitive...
Stevenson found that children in both age groups were significantly more hyperactive when drinking the stuff containing additives. Three-year-olds had a bigger response than the older kids to the lower dose of additives - roughly the same amount of food coloring as in two 2-oz. bags of candy. And, there were big individual differences in sensitivity. While the effects were not nearly so great as to cause full-blown ADHD, Stevenson nonetheless warns that "these adverse effects could affect the child's ability to benefit from the experience of school...
...these - and many other matters besides - are the subject of director Frank Oz's insanely funny, if occasionally out-of-control, black farce, Death at a Funeral, in which a bustling group of the British bourgeoisie gather to attend the last rites of a perfectly respectable and well-liked old gentleman who turns out to have had a secret life. That's where the dwarf comes in; he was in on the secret and thinks he has a right to some portion of the old boy's estate. He's also what the movie has for a villain...
...helps that the cast is so impeccably British - polite, well spoken, deeply concerned with keeping their knickers untwisted, their aplomb unruffled. It also helps that screenwriter Dean Craig's inventions have a certain unstrained serenity in their development. It helps most of all that Oz, the sometime Sesame Street puppeteer (and, lest we forget, the man behind Yoda) is in charge. He's always been a terrific farceur (Dirty Rotten Scoundrels, In and Out, Bowfinger) and he's at the top of his game here, a master at showing actors how to take the most appalling pratfalls while maintaining their...