Word: ozawa
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...Seiji Ozawa, D.F.A., conductor of the San Francisco Symphony. Maker of loveliness in a soiled universe . . . without him we would be more fearful of a future without a song...
...young to command the positions they hold. Pierre Boulez has reached the stage where he is ready to take over the New York Philharmonic, but Michael Tilson Thomas is, alas, too immature for the arduous duties which. William Steinberg's illnesses have forced on him at the BSO. Seiji Ozawa is starting to change from 'the young conductor' to 'the conductor,' but he has yet to prove himself in the difficult circle of the conductors. Colin Davis is certainly ready to assume his role at the top of his field, and there are many more waiting in the wings...
...from experimentation, as witnessed by the disastrous concerts given by Carlo Maria Giulini. His histrionic performance of the "Pathetique" Symphony pleased the Friday afternoon matrons but caused a furor which led the members of the orchestra to request publicly that several Boston critics be banned from future performances. Seiji Ozawa's interpretation of Carmina Burana was much better, and Claudio Abbado's choice of new music was a refreshing change...
...Danny Kaye or Victor Borge had conducted "with such crazed dislocation of tempo and with such prodigality in expression of tragic suffering and deep knee-bends," wrote Steinberg, "the audience would have been in stitches." Two weeks ago in the Herald Traveler, Gelles remarked that Guest Conductor Seiji Ozawa "has shrunk from a lightweight with charm and real elegance to a conductor whose performances are technically inaccurate and emotionally indifferent...
BOSTON will enjoy the gifts of three conductors of the first magnitude this year: Seiji Ozawa, Claudio Abaddo, and Leon Kirchner; and Kirchner is providentially accessible to Harvard audiences as the conductor of the Boston Philharmonia. This excellent chamber orchestra serves the salutary purposes of offering varied programs, significant modern works, and vital playing, three qualities egregiously absent from the Boston Symphony Orchestra, which gives every indication of expiring into another seven months of unremittingly harsh and indifferent prosecutions of emulsified, vindictively pasteurized programs gleaming with lambent somnolence. Kirchner does not specialize in conducting twentieth century music, although...