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...February 1939, when a Spanish-born artist named Pablo Picasso first appeared on TIME's cover, the accompanying story took note of his controversial celebrity: "For 30 years ... the very name of Picasso has been a symbol of irresponsibility to the old, of audacity to the young. To millions of solid citizens it has been one of the two things they know about modern art-the other being that they don't like it." How times, and tastes, have changed. Every day for the next four months, 8,000 "solid citizens," clutching coveted tickets, will stream through...

Author: /time Magazine | Title: A Letter From The Publisher, May 26, 1980 | 5/26/1980 | See Source »

...Imagine an endless prizefight with the world champ, as you wait, with muscles taut, ready to nail him when he drops his guard for the flash of an eye. Then you have a mini-idea of what it was like trying to keep Pablo Picasso in your range finder for a single...

Author: /time Magazine | Title: A Letter From The Publisher, May 26, 1980 | 5/26/1980 | See Source »

Greenhouse, 64, whose father was a Newark real estate broker, was nine when he heard a cello solo in the William Tell Overture and recognized "the sound that I wanted for the rest of my life." After scholarship studies at Juilliard, he spent two years with Pablo Casals in Europe. In 1954, he got together with Pressler and Daniel Guilet, concertmaster of the Symphony of the Air, for a projected recording of Mozart trios. The recording fell through, but the three decided to try their luck on the concert circuit...

Author: /time Magazine | Title: Music: Three Who Add Up to One | 3/31/1980 | See Source »

Harberger goes on the Blind faith, belied by reality, that pursuit of the "efficiency criterion" will somehow produce national prosperity and political liberty. His students know better. Pablo Barona, president of the Central Bank of Chile, said the fact that "more than 90 per cent of the people are against our policies is proof that the model is working" (The New York Times, December...

Author: By Celia W. Dugger, | Title: Harberger: A Deadly Naivete | 2/11/1980 | See Source »

When David Smith was killed in a car accident near Bennington, Vt., in 1965, America lost the best sculptor it had ever produced. In a quarter-century of work, Smith had taken the constructivist tradition of sculpture-images built up from rigid planes-from where Pablo Picasso and Julio Gonzalez had left it in the '30s, and given it an extraordinary richness and amplitude. Indeed, his work in three dimensions was so magisterial that it blotted out the rest of his output. For Smith was not only a sculptor, but a draftsman, and his drawings, thousands in number, were...

Author: /time Magazine | Title: Art: Dream Sculptures in Ink and Paper | 12/24/1979 | See Source »

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