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...four painters who created the language of cubism in the early teens of this century-Pablo Picasso, Georges Braque, Juan Gris and Fernand Léger-the first to die was also the youngest: Gris. His real name was José Gonzálèz, and he was the 13th child of a polyphiloprogenitive Madrid businessman. After a brief apprenticeship as a comic illustrator in Spain, Gris got to Paris in 1906 and installed himself as Picasso's neighbor in the now legendary Bâteau-Lavoir, a ramshackle cluster of studios in Montmartre. He painted nothing...

Author: /time Magazine | Title: Art: Eminence Gris | 5/6/1974 | See Source »

...patron saint, set the stage for the whole flowering by modulating European tradition into a distinctively South American voice, giving South American writers a new self-confidence. While he remains a grand old anti-fascist liberal, most writers of subsequent generations have been more or less socialist. Some, like Pablo Neruda, put their life and art wholly at the command of the movement they support; some, like Jose Lezama Lima in Cuba, have differed with the revolutionists after giving them initial support; some, like Garcia Marquez, have kept away from direct political action yet still have served revolution in their...

Author: By Paul K. Rowe, | Title: The Great American Novelist | 4/25/1974 | See Source »

...between 'highbrow,' 'middlebrow' and 'lowbrow' levels of taste." "A culturally equal society," writes Gans approvingly, "would thus treat all ways of expressing oneself and acting as equal in value, status and moral worth." But why should a taste for Lawrence Welk instead of Pablo Casals, or Jacqueline Susann instead of James Joyce, be held of equal value, status and moral worth? "Because," answers Gans, "they express the differing aesthetic standards of people in different socioeconomic and educational circumstances." Out of that academic window goes all thought of standards, judgment and improved tastes. But what...

Author: /time Magazine | Title: Time Essay: The Delicate Subject of Inequalify | 4/15/1974 | See Source »

This spirit was a chief target of the junta's attack. Marxist literature and books of all kind were burned in the streets. Soldiers ransacked the manuscripts of Pablo Neruda. A folksinger was shot for entertaining the prisoners in Chile's national stadium, which had been converted into a concentration camp by the military regime. Meanwhile, the North American press pressed on; The Times wrote that Agosto Pinochet, Chile's new strongman, was "quiet and businesslike," "powerfully built," and presumably despite his predisposition towards repression, a man with a "sense of humor...

Author: By Peter M. Shane, | Title: With Labor and Courage | 2/9/1974 | See Source »

...were dismayed to find no picture of Pablo Casals in your "Images "73" [Jan. 71. This man, one of the greatest musicians of all time, dedicated his life to bringing peace on earth...

Author: /time Magazine | Title: Letters, Jan. 28, 1974 | 1/28/1974 | See Source »

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