Search Details

Word: pablo (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...general, the tendency of France to outstrip America and England in modernistic productions is apparent. Marie Laurencin, whose covers of Vanity Fair are known in this country, has a few color lithographs which are really mid-Victorian in comparison with some of the work of her countrymen. Pablo Picasso may be seen in two colored etchings which are characteristic of his latest and more incomprehensible moments; George Braque and Andre Lurcat contribute to the confusion of one who would like very much to understand. On the other hand, Jules Pascin, whose career among the sordid elements of Paris closed...

Author: NO WRITER ATTRIBUTED | Title: Collections and Critiques | 5/7/1931 | See Source »

...catholic assemblage of paintings with just one thing in common: none needed special advertising; all were eminently salable-for the proper price. They were pictures-anyone-would-like-to-own, ranging from 15th Century Venetian Cima de Conegliano to ultra-modern Pablo Picasso. Included were important works by such headliners as Rubens, Fragonard, Van Dyck, Gainsborough. Gilbert Stuart, Cezanne, and those favorites of jocular undergraduates, Neri di Bicci and Pieter de Hooch. It was impossible to decide which was the most important Back-room Masterpiece, but almost certainly the most expensive was the Wildenstein Galleries' Fragonard, Le Pont...

Author: /time Magazine | Title: Art: Back-room Masterpieces | 3/30/1931 | See Source »

Brahms' Double Concerto in A Minor by Violinist Jacques Thibaud, 'Cellist Pablo Casals and the Pablo Casals Orchestra of Barcelona under Alfred Cortct (Victor, $10)-Brahms last orchestral work, rarely played because of its technical difficulties, is given a superb per- formance by an unsurpassed triumvirate...

Author: /time Magazine | Title: Music: March Records | 3/9/1931 | See Source »

With the present exhibition of Pablo Picasso, now held at the galleries of the Harvard Society for Contemporary Art, closing tomorrow, the society has announced that its second year of organized existence has come to an end. The society, which was founded in February, 1929, by undergraduates of Harvard University, with the aid of the Fogg Art Museum and friends of modern art, has maintained its purpose of holding exhibitions of contemporary painting, sculpture, and decorative arts throughout this period...

Author: NO WRITER ATTRIBUTED | Title: ART SOCIETY ANNOUNCES ITS SECOND ANNIVERSARY | 2/12/1931 | See Source »

Most of the contributions have been lent by Felix Wildenstein of Paris, whose galleries in New York have also sent several works by Pablo Picasso to the exhibition of the famous French artist now being held at the galleries of the Harvard Society for Contemporary Art. Three, however, including the celebrated "Fete Champetre" of Watteau, have been loaned by Sir Joseph Duveen, while yet another has been sent from the California Palace of the Legion of Honor...

Author: NO WRITER ATTRIBUTED | Title: OPEN EXHIBITION OF FRENCH ART AT FOGG | 2/12/1931 | See Source »

Previous | 220 | 221 | 222 | 223 | 224 | 225 | 226 | 227 | 228 | 229 | 230 | 231 | 232 | 233 | 234 | 235 | 236 | 237 | 238 | 239 | 240 | Next