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...influence on the modern presidency is the greatest of any living scholar,” said Marc Pachter, public information officer of the National Portrait Gallery...

Author: By Faryl Ury, CONTRIBUTING WRITER | Title: Professor Emeritus Wins Smithsonian Award | 10/18/2002 | See Source »

...Kennedy, Pachter said, was so impressed with Neustadt’s first book that he asked Neustadt for a memo detailing how he should make the transition into the oval office. He has affected people involved with the government—journalists and scholars alike—and has defined the extent of power and authority a president has, according to Pachter...

Author: By Faryl Ury, CONTRIBUTING WRITER | Title: Professor Emeritus Wins Smithsonian Award | 10/18/2002 | See Source »

...Adam E. Pachter...

Author: NO WRITER ATTRIBUTED | Title: Congratulations to The Crimson's Class of 1992 | 6/3/1992 | See Source »

...Pachter's acknowledgement of race politics in the theater--where we go to see not only drama, but a dramatic re-enactment of life--does not connote racism. And Pachter is not alone among reviewers in his concerns about the responsibilities and repercussions of cross-casting. Liza M. Velasquez asserts in her review of The Royal Hunt of the Sun ("Royal Hunt Misses the Mark," Oct. 26) that the casting decisions made in the Mainstage production were "disappointing." She writes that director Jeremy Blumenthal cross-cast a number of women in the roles of "sympathetic yet incomprehensible male Incas...

Author: By Kelly A.E. Mason, | Title: Repercussions in Cross-casting | 11/30/1990 | See Source »

...Neither Pachter nor Velasquez dismisses the ideal of cross-casting. Each is mindful of the responsibilities of that political gesture. Cross-casting is an ideal precisely because our society is not, and audience members are mindful of race and sex, especially when it goes against the proscriptions of a playwright. We have to be careful about the messages we let them take from the theater. We do not advance feminism if we cast women in subservient roles written for men, or egalitarianism if we cast Black actors in subservient roles written for whites. Those roles have already been scripted...

Author: By Kelly A.E. Mason, | Title: Repercussions in Cross-casting | 11/30/1990 | See Source »

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