Word: pacino
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Dates: during 1990-1999
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Shakespeare may be dead, but he had a great deal to say last night when Al Pacino came to the Science Center to screen his new documentary, "Talking Shakespeare," to a crowd of more than...
That's fine, reckless advice for any person, any writer. The surprise is that McNally, 54, took his own dare. He is, after all, best known for the zippy romance Frankie and Johnny in the Clair de Lune (which became a movie with Michelle Pfeiffer and Al Pacino) and the funny-poignant Lips Together, Teeth Apart (which is now playing in Los Angeles). Among his dozens of plays are daft farces (The Ritz, Bad Habits), an Emmy-winning TV play (Andre's Mother) and a clever sitcom (Mama Malone), but nothing so eloquent, capacious and true as A Perfect Ganesh...
...Broadway musical Kiss of the Spider Woman won a shower of awards including a Tony; his AIDS teleplay, Andre's Mother, won an Emmy; his domestic tragicomedy, Lips Together, Teeth Apart, has been a hit on both coasts, and Frankie and Johnny became a movie with Al Pacino and Michelle Pfeiffer. In his early hits Next and The Ritz, McNally revealed his fevered comic sense, satiric wit, robust skepticism toward authority and matter-of-fact agenda of including homosexuals in stories not "about" their world. All those are evident in A Perfect Ganesh, which is anything but an attempt...
...Mike Ovitz so powerful? Very simple: most of the really big movie stars are represented by him and his agency, including Kevin Costner, Robert De Niro, Michael Douglas, Whoopi Goldberg, Tom Hanks, Michael Keaton, Bill Murray, Al Pacino, Barbra Streisand and Robin Williams. They also represent most of the top directors, including Steven Spielberg, Martin Scorsese and John Hughes. And most of the top screenwriters. The only weak spot, according to one of those reticent studio chiefs, is in music; there, CAA's client roster is peopled by such nobodies as Eric Clapton, Michael Jackson and Madonna...
...snarls orders like the Army lieutenant colonel he once was. He pretends to a worldliness that is not entirely authentic, and he can't quite hide the arrested adolescent lurking beneath his spit, polish and bluster. Frank Slade is a piece of work, all right, and playing him Al Pacino is always an actor acting -- in love with his own prodigious technique. For which, thank heaven, it permits him to range boldly outside the conventional lines of Bo Goldman's script for Scent of a Woman...