Word: pacino
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Insomnia (May 24): Warner’s only really promising offering of the summer is this thriller from red-hot director Christopher Nolan. Fresh off of Memento, Nolan decided to tackle another twisty murder story. Al Pacino stars as a police detective sent to a small Alaska town to investigate the murder of a young girl. However, he accidentally shoots his partner while chasing a suspect, and becomes entangled in a deceitful mess with a local detective (Hilary Swank) and the killer himself (Robin Williams). Reports confirm that the story is not told backwards, or even in random order...
...recovering schmaltzaholic, having engaged in a dangerous number of Patch Adams- and Mrs. Doubtfire-type roles. As therapy, apart from performing before 39 live audiences in 26 cities over the next two months, he's beating a woman to death in rural Alaska (in Insomnia, with Al Pacino), plotting the downfall of a TV rival (in Death to Smoochy) and stalking an adulterer, with a carving knife in his backpack (in One Hour Photo). "Those warm, open characters, outsiders who want to help other people--is that part of me? Oh, yeah," says Williams. "But people want to label...
Insomnia, due out in May, is even darker. In it Williams plays a stalker who murders a young woman and taunts the detective who flies out to Alaska to find him. "It's two opposite extremes: Pacino playing a cop who can't sleep and me playing this devil's advocate with him." Williams prepared for the role by watching tapes of an interview with Jeffrey Dahmer--"to get his conversational tone; it was so calm." Death to Smoochy is a comedy but not a light one. He plays a TV clown who, incensed at being replaced by Smoochy...
...evil's dimwit half-brother. It dawns on you as you watch the tape that bin Laden may be like one of those not quite bright real-life hoods who strut around with the Godfather movies unreeling in their minds, the theme music playing in their inner ears; Al Pacino has given them the dialogue, a myth of themselves. Bin Laden is the John Gotti of jihad...
...what you will about the cult of celebrity, but it is interesting to see young Al Pacino reclining in his apartment on Fourteenth Street (1969) or to see Norman Mailer sandwiched between two reels of film as he worked on the film Law and Order, his second documentary (1968). It is the photos of these people with famous faces that grip the most; Cary Grant, unsurprisingly, fills the frame, as Jeffry herself said: “It doesn’t usually take more than 10 minutes to get a good picture— especially if you look like Cary...