Word: pacino
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...film wants its viewers to see it as a summation of the stars' relationship. Turk says of Rooster that "I'm always the one following him through the door," just as De Niro made his first dramatic-movie splash a couple years after Pacino earned raves for his junkie role in Panic in Needle Park. Rooster tells Turk, "You're the one I looked up to all my life and could never be." It's as if Pacino was admitting that his bantam-weight hyper-hammery, the excesses of yelling and kvelling and strutting and posturing, were...
...What's strange about Pacino's patented style is that, as Michael Corleone in the first two Godfather films, his acting had exactly that quiet menace, the satanic power that whispers, the death sentence of a single glance. But since, say, Dog Day Afternoon in 1975, he went the other way, playing the little guy who compensates by going big. It's a tactic more theatrical than cinematic, and Pacino usually makes it work by ensuring that he dominates any film he's in. A two-hander like Righteous Kill, though, demands teamwork. Pacino is still laying...
...stars with 13 Oscar nominations between them paired up for an R-rated crime drama. The actors, Al Pacino and Robert De Niro, and the movie, Heat, received a glitzy, year-end push from a major studio and breathless media coverage. The New York Times likened Pa-Niro's six minutes of shared screen time to "Ben Hur sitting down and acting with Spartacus...
...industry's apathy toward Righteous Kill reveals both how badly the reputations of Pacino and De Niro have suffered in the past 13 years, and how fully the studios have abandoned the kind of pictures that made them stars. Righteous Kill is not a classic like The Godfather a or critical darling like Heat. It's a workaday crime thriller, opening in more than 3,100 theaters. But it's likely to be profitable for Overture, which is almost certain to recoup the more than $10 million investment it made in Righteous Kill at the Cannes Film Festival last year...
...aged prime with great haircuts," says Jeffrey Wells, of the blog Hollywood Elsewhere. "Today they're softer, grayer, saggier, less cool. It's a hard pill to swallow, but they're just not top-dog machismo types any more." Beyond the indignities of aging that all actors inevitably face, Pacino and De Niro have both appeared in a string of bad films that damaged their personal brands. For Pacino, now 68, dogs like Gigli, The Recruit and 88 Minutes are fresher in audiences' minds than his career-making performances in The Godfather and Scarface. And the money-making but vapid...