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Last September, Packer decided to take a breakfrom her position as artistic director atShakespeare & Co. to direct "Richard III." Shebrought to Cambridge techniques she learned whilestudying drama at the Royal Academy of DramaticArt and in many productions since...

Author: By Edward B. Colby, CONTRIBUTING WRITER | Title: Director's Project Takes On Richard III | 4/30/1999 | See Source »

...Packer] became our first choice because ofher reputation," says co-producer Seth C.Harrington '00 who was involved in the search fora director...

Author: By Edward B. Colby, CONTRIBUTING WRITER | Title: Director's Project Takes On Richard III | 4/30/1999 | See Source »

...Packer invited some of her assistants atShakespeare & Co.to help with the VDP production.Professional directors, voice coaches and fightchoreographers have helped train the cast,according to Joe C. Gfaller '01, who plays theArchbishop of Canterbury, the Bishop of Ely andthe Duke of Norfolk...

Author: By Edward B. Colby, CONTRIBUTING WRITER | Title: Director's Project Takes On Richard III | 4/30/1999 | See Source »

...technique comes into play before the actorshave memorized their lines. Packer took theirscripts and fed them the words slowly--even one ata time--while asking them questions about theircharacters. Cary P. McClelland '02, who is theshow's assistant director along with Monica A.Henderson '99, says the technique means thatactors memorize their lines along with mentalassociations that help them play their characters...

Author: By Edward B. Colby, CONTRIBUTING WRITER | Title: Director's Project Takes On Richard III | 4/30/1999 | See Source »

Starting with load-in on April 18, tech workhad been done at the Loeb. But the productionprocess began long before that. The producers hadan initial meeting with Packer in December, andScully met with Packer in January to discusspotential designs...

Author: By Edward B. Colby, CONTRIBUTING WRITER | Title: Director's Project Takes On Richard III | 4/30/1999 | See Source »

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