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...SECOND SIDE OPENS with "Where the Boys All Go," a rock and roll paean to gay bars. Homosexuality is presented here, as it has always appeared to straights, as an act of desperation. There's really no question of Jagger's orientation; when asked by High Society magazine whether he was at least bisexual, he replied, "I've never sucked anybody's cock, and I've never had my cock up anybody's ass," which would seem to answer the question. There is another reference to the Hellenic detour elsewhere, on "Let Me Go," when Jagger moans, "Maybe...

Author: By Paul A. Attanasio, | Title: The Man Who Loved Women | 8/1/1980 | See Source »

Those lyrics have entered the popular imagination as a paean to the decadent life. Cabaret shows not just the free-and-easy side, but the slide into darkness that goes along with it. The Leverett House production doesn't neglect one side for the other...

Author: By Sarah L. Mcvity, | Title: The Slide Into Darkness | 3/11/1980 | See Source »

GIGOLO could have been an orchestrated rock-teasing paean to American sexuality of barely sublimated desire, bulging jeans and watery eyes, sex sans porn, pulse without flesh, a lean, lacquered look at the demons of the California Dream. Instead, Schrader concocted a laughable montage of silly sequences, an absurd plot and bad lines that reaches climax in a bizarre series of fade-outs that symbolize pauses between pelvic thrusts. Gere, as Julian Kaye, makes it clear that he does only straight, high-class women. He looks more embarrassed than worried when he gets framed for a handcuffs-cum-sex murder...

Author: By David Frankel, | Title: Low Gear Tricks | 2/4/1980 | See Source »

...second language. Certain words, like "fey" and "gossamer," become all-purpose modifiers, salt for his nouns--evervone in this book is at one time or another, "gossamer." But Sanchez's style doesn't come to full efflorescence till he describes the Stones' (or his own) women. Consider his paean to the physiognomy of Marianne Faithfull...

Author: By Paul A. Attanasio, | Title: Stoned Wheat Thins | 11/29/1979 | See Source »

Nevertheless, Tallin's project for a Monument to the Third International, 1920, which would have topped out at 1,400 ft., dwarfed the Eiffel Tower and given the U.S.S.R. the greatest industrial metaphor in the world, was a euphoric paean to the marriage of "objective" material-girders and glass-with dialectics The idea of a necessary link between the nature of modern art and the aims of socialism was everywhere. "Each part of a futurist picture," Natan Altman argued, "acquires meaning only through the interaction of all the other parts"; its task was not to depict, but to explain...

Author: /time Magazine | Title: Art: Futurism's Farthest Frontier | 7/9/1979 | See Source »

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