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William Cohen, clarinet; Michael Lim, violin; David Jost, piano and harpsichord; Philip Robbins, guitar: Kletzsch and Paganini--Dunster House Library, Harvard...

Author: NO WRITER ATTRIBUTED | Title: Ongoing Exhibits | 4/23/1987 | See Source »

...second half is an almost entirely wordless dance ensemble piece set to Lloyd Webber's Variations, based on Paganini's A minor Caprice. One of the unseen characters in the first half, the young woman's nearest approximation to a true love (Christopher d'Amboise), prowls his way through the fleshly entertainments of Manhattan, only to decide he is ready to settle down, whereupon the young woman reappears to accept his offer. Like the woman, the young man is an outsider: as his trademark red jacket proclaims, he is from Nebraska. Like her, he is dazzled by bright lights...

Author: /time Magazine | Title: Theater: Bright Lights and Heartache Song & Dance | 9/30/1985 | See Source »

Beyond the footlights of the concert stage he cavorted like the devil, but oh how Nicolo Paganini could play. Considered the greatest violinist who ever lived, he was electrifying as he hunched his skeletal frame and hawklike features over his magnificent violin, crafted by Giuseppe Guarneri in 1742. "Perpetually conserved" in Italy by the city of Genoa, according to Paganini's will, the prized Guarneri, insured for $800,000, crossed the Atlantic last week, and in the skilled hands of Neapolitan Virtuoso Salvatore Accardo, 40, made its U.S. debut at New York City's Carnegie Hall. "I have...

Author: /time Magazine | Title: People: Nov. 15, 1982 | 11/15/1982 | See Source »

...Theme of Corelli in the Style of Giuseppe Tartini." But he sometimes tried to fool other composers by publishing old-style pieces under the names of 18th century composers (for example, "Andantino by Padre Martini.") Kreisler saves face by striking a balance between technicality and musicianship. Unlike Paganini, Wieniawski, Ysaye and other violin virtuosi-composers, he has warm melodies, sweet harmonies...

Author: By Robert F. Deitch, | Title: Virtuosity Alone | 12/2/1981 | See Source »

...says. "Once I've chosen the music for a ballet, I completely inundate myself in it. I listen to nothing else, so that it becomes part of me-I'm drenched in it." For the effervescent Rhapsody, Ashton selected Rachmaninoff's Rhapsody on a Theme of Paganini, reaching a climax with a pas de deux at the radiant 18th Variation. "You have to get in tune with the composer," says Ashton. "I do what the music tells...

Author: /time Magazine | Title: Dance: Glitter | 7/13/1981 | See Source »

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