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...because I am Japanese-American and have a heritage that has nothing to do with Germanic or Austrian music. But I could immediately tell [the music I was playing] just fit there. It was just natural for the audience and the orchestra. It was the same playing a Paganini Concerto with an Italian orchestra and Lorin Maazel. I felt like I was just playing by myself because they were so put together...

Author: By Matthew H. Coogan, CRIMSON STAFF WRITER | Title: SPOTLIGHT: Ryu Goto '11 | 11/20/2009 | See Source »

...masterful in her ability to convey messages of grief and anguish to the audience through her facial expressions as well as her movements. The final dance was a premiere of “Caprices,” a set of eight short pieces performed to the music of Niccolo Paganini. Because a different person choreographed almost every work, “Caprices” lacked continuity, and although the dancers performed well, it ultimately felt like eight disparate pieces rather than a successful compilation. The same was true of “Dancing Caprices” as a whole...

Author: By Prateek Kumar, CONTRIBUTING WRITER | Title: Dakin Shines in ‘Dancing Caprices’ | 12/10/2007 | See Source »

Last Saturday, the Bach Society Orchestra inaugurated its 54th concert season in Paine Hall with a stellar performance of Vaughan Williams, Paganini, and Beethoven. Guest violinist Ryu Goto ’10 captured the spotlight along with music director Aram V. Demirjian ’08, who led the orchestra with great professionalism.The evening began with English composer Ralph Vaughan Williams’ Overture to “The Wasps,” a popular selection from a suite written for a 1909 production of Aristophanes’s satire, “The Wasps.” The overture...

Author: By Bonnie J. Kavoussi, CONTRIBUTING WRITER | Title: For BachSoc, a Strong Season Beginning | 10/22/2007 | See Source »

...Sonata No. 3,” played by Xi Li ’09, who also showcased Franz Liszt’s “La Campanella.” The charming performance of this bell-like piece, based on a theme by violin-god Niccolo Paganini, further emphasized the piano’s intonation problems. Someone needs to tune that thing before the next concert. Wei-Jen Yuan ’06 sensitively balanced the voicing, emphasizing essential harmonic changes in “Feux Follets” and “Harmonie du Soir” also...

Author: By Madeleine J. Baverstam and Jennifer D. Chang, CRIMSON STAFF WRITERSS | Title: Harvard Piano Society Season Opens Strongly | 10/11/2005 | See Source »

...been a down-and-up season for Stephen Hough. First, his high-profile appearance at Lincoln Center's Rachmaninoff Revisited festival in New York City, where he was scheduled to play the Russian composer's Rhapsody on a Theme of Paganini, was scratched on account of Sept. 11. Just six weeks later, though, the pianist got a jaw-dropping phone call that wiped out all the disappointment and then some. He learned he had been tapped for a coveted MacArthur Fellowship, the $500,000 "genius grant" awarded for brilliance above and beyond the call of duty, a prize never before...

Author: /time Magazine | Title: Music: Unsnobby At The Keys | 11/19/2001 | See Source »

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