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...friendships implied in Bloomsbury. "Life would split asunder without letters," she maintained in Jacob 's Room. Her massive correspondence shows her weaving a variegated web to hold it together. She pours out affection and admiration to her sister, Vanessa Bell, whom she wonderfully characterizes as a mixture of pagan goddess and Moll Flanders. She is ardent and extravagant to Vita Sackville-West, with whom she has a love affair and later slips into a "warm slipper" relationship. She is fondly exasperated and patient with Ethel Smyth, considerate to friends (like the dying Janet Case) who are in need, practical...

Author: /time Magazine | Title: Books: Sacred Values | 12/1/1980 | See Source »

...crush Iranian resistance. One reason has been the tenacity of the Iranians. Khomeini welcomed the war from the outset as a blessing in disguise; his enthusiasm appears undiminished by military setbacks. Last week he called on Iranians to prepare for a jihad, or holy war, against Saddam's "pagan regime...

Author: /time Magazine | Title: PERSIAN GULF: The Hostage Drama | 11/3/1980 | See Source »

...only product of Adler's plan to improve teaching would be clones of Adler loaded with information about "history, great literature and art." These humanoid teachers might recite such catechisms while their students are trying to survive drugs, vandalism, rape, poverty and gang warfare. Edward R. Pagan University Park...

Author: /time Magazine | Title: Letters, Oct. 20, 1980 | 10/20/1980 | See Source »

...ruthless, wrathful, foreign, purely pagan people": so one medieval Irish text described the Vikings. "They are the dirtiest of God's creatures," sniffed Arab Historian Ibn Fadlan, who had seen and smelled a Viking encampment on the banks of the Volga in the 10th century, "and they do not wash themselves after sex." Thus, as Hilaire Belloc sardonically put it in our own century...

Author: /time Magazine | Title: Art: The Small Change of Archaeology | 10/13/1980 | See Source »

...lesson in the nature of martyrdom, and eschews all the possible theatrics in the tale. He manipulates a sparse collection of performers--Becket, three priests, four tempters, four knights, and a chorus of women--through a ritual that both plumbs the deep seas of Christian theology and plunders pagan mythology for parallels and a natural background. The mutable verse form, with irregular rhymes and cyclical repetition, can hypnotically enthrall you even if you don't quite catch Eliot's meaning...

Author: By Scott A. Rosenberg, | Title: Speaking Ex Cathedra | 4/23/1980 | See Source »

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