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...more serious objection. They didn't mind the sukkah per se, but they found the "Harvest Festival" that was held in it on Sunday night to be a tasteless, almost cynical manipulation of religious traditions in the name of multicultural diversity. The festival incorporated Jewish, Chinese and neo-pagan ideas about the harvest season. Several Chinese students door-dropped a "silent protest" to residents, arguing that the differences between religious traditions should not be blurred...

Author: NO WRITER ATTRIBUTED | Title: Religion, Dunster-Style | 10/3/1996 | See Source »

...Dunster House ceremony celebrating the neo-pagan, Jewish and Chinese harvest festivals has become the subject of controversy among Dunster affiliates...

Author: By Caroline T. Nguyen, | Title: Dunster Festival Angers Students | 9/30/1996 | See Source »

...Harvest Moon Festival," held in Dunster's main courtyard late Friday night, featured aspects of the pagan Thargelia festival, the Jewish holiday of Sukkot and the Chinese harvest festival Zhong...

Author: By Caroline T. Nguyen, | Title: Dunster Festival Angers Students | 9/30/1996 | See Source »

Depressingly few, the so-called higher critics found. There are only two or three references to Jesus in six pagan or Jewish sources, providing precious little corroborating data. Even if the standard for authenticity were agreement between the Gospels, there is less of that than one might imagine: the Prodigal Son and the Good Samaritan are just two of several parables that appear in only one version. By 1926, Rudolf Bultmann of Germany's University of Marburg, the foremost Protestant scholar in the field, threw up his hands: he called for a halt to inquiries regarding the Jesus of history...

Author: /time Magazine | Title: THE GOSPEL TRUTH? | 4/8/1996 | See Source »

Corot was much better at trees than people, let alone pagan divinities. His weakest drawings are of the figure, his strongest of vegetable nature--one especially, an ink drawing of creepers on a rock done around 1827, has a wiry inquisitorial line and a fierce truth to the motif that remind one, without exaggeration, of Durer. In landscape his hand roamed free, giving the foreground hill in Volterra, the Citadel, 1834, a lively splotching of indeterminate dark scrub whose excited marks carry more visual weight than the distant hill town. But his early portraits are maladroit Ingres...

Author: /time Magazine | Title: ART: BRINGING NATURE HOME | 3/25/1996 | See Source »

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