Word: page
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Dates: during 1960-1969
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...FRONT PAGE. Robert Ryan and Bert Convy, backed by an adroit cast, star in a revival of the Ben Hecht-Charles MacArthur saga of newspapering in the Chicago of the 1920s. When the time comes to put the paper to bed and bring down the final curtain on this breezy merriment, the audience may well feel sorry that it has to go home...
...Taken by former Army Photographer Ronald Haeberle. Some are published in the current LIFE. Others appear on the following page...
Lead guitarist Jimmy Page provides the primary force for Led Zeppelin. His playing is rhythmically acute. especially across bar lines. sane in the use of distortion and intelligent rather than self-indulgent. His solos offer neither the bludgeoning egotism of Jeff Beck. nor the excellent yet ultimately tedious work of Eric Clapton; neither the excessively frenetic passagework of Alvin Lee, nor the elegant but limited solos of George Harrison. Page has a much better grasp of the organically developing long line than Eric Clapton, whose style of repetitious punctuation suggests a less sentient man. But Cream was organized around...
...three finest songs on Led Zeppelin's first album illustrate the foremost capacities of the group. "Good Times Bad Times" is based, as is usual with their songs, on an energetic riff rather crudely syncopated but irresistibly developed. Page plays a brief solo characterized by his enormous intervals and rapid triplets: Bonham employs complex drum pedals; Jones adds a sinuous independent bass line: and Plant insinuates a tone of bemused disconsolation into the song's eternal situation of calumniating fate. "Dazed and Confused" deals with incoherent man in the face of a latter-day Cressida. After a sufficiently stunned introduction...
...blues cliches, even to the point of "down on this killin floor." Although the band is almost as wry as the Beatles in "Yer Blues" or "Helter Skelter," the result here as there does not prove durable. Led Zeppelin's only ostensible love song. "Thank You," is quite frustrating. Page assumes a twelve-string and Plant emulsifies his voice for such less than breathtaking lyrics as "If mountains should crumble into the sea/ There would still be you and me," and "Inspiration is what you are to me." But the inspiration is unfortunately bathetic, and the sanguine ending...