Word: paged
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Dates: during 1930-1939
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...Manhattan, almost every paper sold thousands of extra copies. Throughout the U. S., Warde hit the front page the moment his body hit the sidewalk. Editorial writers reacted instantly. The comforting New York Times asked: "Is life worth living?" answered: "Of course life is worth living," mentioned a few of the things worth living for: "... a majestic sunset or moonrise ... an understanding look in another person's eyes. . . ." The crusading New York Post noted the extensive efforts to save the suicide, asked: "If so much could be mobilized for one man, how much could be accomplished by a fully...
...lifelong passion for self-effacement, O. K. Bovard kept to himself the nature of the differences with Publisher Joseph Pulitzer Jr. It had been assumed, however, that he liked neither the Post-Dispatch's support of Landon in 1936 nor the deepening conservatism of its editorial page, for which he occasionally wrote, but over which he never had control...
...broad interests were reflected most clearly on the first page of the Sunday editorial section, long known as "the dignity page." Here were expositions of significant national and international developments ; detailed exposés of economic, religious, racial repression, written by reporters who knew their stories would get into print. Most spectacular example of his editorial discretion was his iron refusal to accept the news of the Armistice that turned out to be false. Bovard was always calm, never lost control of his emotions. Once his star rewrite man got a big story just before the deadline, became so nervous...
...having completed (TIME, July 25) their spectacular flights with a maximum of uproar, the commercial airlines of three nations were quietly getting down to the business of flying the Atlantic. The New York World-Telegram, one day when no transatlantic plane was in the air, printed a facetious front-page headline: U. S. VIRTUALLY CUT OFF FROM EUROPE...
...This 741-page historical melodrama about "a modern Monte Cristo" is an unusual tale. Most extraordinary thing about it is its echoes of Christina Stead's month-and-a-half-old House of All Nations (TIME, June 13). Both novels run to about the same length, both have the same satirical, tight-nerved, epigrammatic slant on their backgrounds of international high finance, war and revolution. The World Is Mine, with a more extravagant range, livelier plot, less diffuseness, is better than Author Stead's brilliant book...