Word: paged
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Dates: during 1950-1959
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...expressing its viewpoint, the CRIMSON is playing fair with its readers. We know what to allow for in reading a newspaper only if we are acquainted with its editorial opinion. I know of no respectable journal which does not give its subscribers the courtesy of an editorial page: this omission would be assuming the role of complete impartiality (which Manahan evidently desires). And it would be extremely naive to consider impartiality a realistic position...
Manahan might have a point if the CRIMSON were a propaganda monopoly attacking an organization with no means for reply. But this is not the case. Manahan's letter was published, and the only attack the CRIMSON has made against Thomson was on the editorial page. Besides, the HYRC has a newspaper of its own with no mean circulation by which it can set aright the slanders on its martyred president...
...voice of authority spoke out last week for more U.S. economic aid to the world's underdeveloped countries "regardless of what the Russians do." Said the Committee for Economic Development, in a 49-page report on behalf of its 150 businessmen and educators: "More active U.S. participation in developing underdeveloped countries is needed not only to protect our vital immediate interests; it is needed also to help the underdeveloped countries build the kinds of societies with which the West can live in cooperation and peace in the long...
Bravo . . . Merveilleux. The sensational Buffet opening rated front-page headlines and picture spreads in Paris newspapers, an honor usually reserved for Pablo Picasso. Since art connoisseurs had already established the artist as their choice among postwar French painters (TIME, March 21), the critics had to grub for superlatives. "The Goya of our times," wrote the critic of L'Express. "Together with Picasso, [he] ranks among the most extraordinary examples of artistic creation," said Franc-Tireur. In the gallery's red morocco-bound guest book, the great and fashionable scribbled "Bravo, Bernard" and "C'est merveilleux...
...only produced new art; it has also caused primitive art itself to be reassessed. The rise of primitive works from artifact to art is currently being demonstrated by the first showing of the Baltimore Museum of Art's handsome 196-piece collection of Oceanic Art (see color page...