Word: paged
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Dates: during 1950-1959
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...Daily (10? an issue, $12 a year; circ. 47,215) has long been required reading for those who design, make or sell clothes for the American woman. Macy's alone takes 112 subscriptions. So influential is Women's Wear that a four-line story on a back page about a dress that is selling well will bring dozens of inquiring phone calls from retailers around the country. Women's Wear does its level best to wield its power impersonally, never disparages any style, and like the other Fairchild publications runs no editorials. The result is a paper...
...Among other C.N.B. alumni: Walter Howey, model for the managing editor in The Front Page, the play's co-author Charlie MacArthur, and Hildy Johnson, the real-life reporter who was its hero. * No kin to Novelist Francoise Sagan, whose real name is Quoirez...
...newest and most successful museums to face the problem is Italy's Capodimonte National Museum (see color page), an 18th century palace outside Naples that was built for the Bourbon kings in 1738 and reopened only last year as a treasure-filled art museum-100 galleries lined with canvases by such old masters as Bruegel, Goya, Mantegna, Masaccio and Titian. In converting the palace, Naples' Art Director Bruno Molajoli faced not only the staggering task of cleaning and identifying some 600 stored paintings (including two Correggios found in a case marked "rubbish"), but also laying out a modern...
...eating, "off-with-their-heads" editor (1949-52); of a cerebral hemorrhage; in New York City. As managing editor of the Chicago Times (1935-38), Ruppel doubled its circulation by such tricks as having one of his reporters committed to a state mental hospital to get a series of Page One stories, disguising his photographers as clergymen, using siren-screeching ambulances to deliver World Series photographs. After wartime service as a U.S. Marines officer, he went to Hearst's Chicago Herald-American as executive editor (1945), moved on to Coltier's to salvage the magazine's drooping...
...heavy fragrance of that well-known man-eating orchid, romanticism, hangs about the story from the start, but in the culminating scenes, translated almost literally from the page to the screen, the odor is cloying. On her deathbed the heroine pleads piteously, "You won't do our things with another girl, will you?" But she hastens to add, in the tone of a flapper who would not be caught dead with a conventional notion about sex, "I want you to have girls, though." He sobs, and she promises, with a ghastly smile, "I'll come and stay with...