Word: paint
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Dates: during 1950-1959
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...plea from son David, 12, was soulful and wide-eyed, so Tennessee Senator Estes Kefauver ambled outside for a look. There, smart as paint, stood a neighbor's new, factory-built scooter (equipped with a 2½-h.p. engine) that David wanted in trade for his old, homemade soapbox racer. Brightly, the Keef decided that he'd better take a ride-just to make sure the deal was fair and square. Democrat Kefauver, all of 6 ft. 3 in., hunched himself in, buzzed off down a hill sporting the widest of aha-the-voters smirks. Soon learning that...
...understands physics. This simple fact is at least as difficult to conceive as the fact that Dali thoroughly masters painting. Blessed with an astounding facility with paint, he keeps stretching it; blessed with a coolly scientific intelligence, he stretches that, too. "In the surrealist period," he says, "I wanted to create the iconography of the interior world-the world of the marvelous, of my father Freud. I succeeded in doing it. Today the exterior world-that of physics -has transcended the one of psychology...
When Hitler closed the Bauhaus in 1933. Feininger at last came home to Manhattan, to sail his model boats on the pond in Central Park as he had as a boy, and to paint in the midst of war the most joyful canvases of his career. The school-of-Paris cubism he brought back with him helped free his individual genius: he took cubism out of doors, to church and to the beach, using it to animate a vista with the intricate counterpoint of a Bach fugue. Regatta, which seems as much like the gates of paradise as Pink...
...years since his death, Abstract Expressionist Jackson Pollock has become the nation's most admired art export. Last week Pollock's passionate, familiar dribblings of paint were on view in a London gallery. Judging by the record attendance as well as the reviews, Jack the Dripper had taken England in hand...
Pollock's painting, said the Times, is "almost an act of spiritual brinkmanship . . . Like Pope's spider, he feels along the line." The Sunday Times's John Russell, who had scoffed at Pollock in the past, now praised "the great pounding rhythms which batter their way across the 18-ft. canvases, never for a moment out of control." Pollock was much more than "Drool School," conceded the Manchester Guardian. "Rich and splendid design of this quality and on this scale is infinitely rare." The Observer allowed that "the crude impression of a dotty exhibitionist spilling paint aimlessly...