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Word: paint (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Georges Rouault was unsurpassed in his medium. He was on the roster of the great French painting talents who broke into the 20th century in such garish, searing colors that they were called "Wild Beasts," but he stood apart from the rest. In an age given over primarily to secular beliefs, Roman Catholic Rouault was unabashedly a religious man. "I hope to paint a Christ so moving that those who see Him will be converted," he said. He became the greatest religious artist of his century...

Author: /time Magazine | Title: Art: Painter of Faith | 2/24/1958 | See Source »

Born during the shelling of Paris by the Prussians in 1871, Rouault was early apprenticed to a stained-glass maker, began painting on a religious theme while studying at the Beaux-Arts. He painted sin in the form of prostitutes, evil in the faces of dishonest judges, misery in the eyes of clowns-and finally he depicted faith and goodness in Christ. He expressed himself in paint so thick that at times it seems to glow like stained glass, at other times burns against the black outlines like live coals. Driven by an unremitting artistic conscience, he agonized over some...

Author: /time Magazine | Title: Art: Painter of Faith | 2/24/1958 | See Source »

...BECAUSE the X-ray machine can penetrate the surface of a painting without doing any damage, it has long been an indispensable tool for art historians. Layers of paint on canvas (including the liberal amounts of white lead used by old masters to lighten their pigments) absorb X rays in varying amounts, thus producing on a negative a revealing shadowgraph. To the trained art scholar's eye, an X ray of a painting can often reveal its whole history, from the first unseen priming coat the artist put on the canvas, through the artist's corrections and overpainting...

Author: /time Magazine | Title: Art: SECRETS BELOW THE SURFACE | 2/17/1958 | See Source »

...Chicago & London. One answer came in Chicago, where the mystery was whether Georges Seurat had originally included his only self-portrait as a mirror image in his famous painting of his mistress, Young Woman Powdering. Chicago Art Institute Director Daniel Catton Rich and Painting Conservator Louis Pomerantz, taking advantage of the loan of the painting from London's Courtauld Institute for the Chicago Seurat show (TIME, Jan. 20), decided to test the legend by X ray. To their delight, they found beneath the paint the blurred outline of a man's head. The discovery tended to confirm...

Author: /time Magazine | Title: Art: SECRETS BELOW THE SURFACE | 2/17/1958 | See Source »

Duke Alfonso I d'Este of Ferrara and his wife, Lucrezia Borgia. Bellini had called on the young talent of Titian to help finish the great canvas. After Bellini's death in 1516, Titian-who became the new Venetian master-won the commission to paint three other large, allegorical paintings for the duke's Renaissance study. As an added service, Titian repainted sections of the Feast to make it accord with the more luxury-loving tastes of his time-and, incidentally, to accord more with his own oils...

Author: /time Magazine | Title: Art: SECRETS BELOW THE SURFACE | 2/17/1958 | See Source »

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