Word: paint
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Dates: during 1980-1989
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...Morocco in 1970; there Scully saw stripes everywhere, dyed into awnings and djellabas and bolts of cloth, not a theoretical form but a motif embedded, as it were, in the landscape. Then he moved to New York and, as he puts it in the catalog, felt driven to paint "severe, invulnerable canvases, so I could be in this environment and not feel exposed. I spent five years making my paintings fortress-like...
...past and concentrate on certain well-established forms and techniques. But during the Meiji era (1868-1912), modernism was introduced from the West, knocking major dents in this rigid system with an emphasis on innovation, individualism and the search for new forms. Japanese artists, emulating European easel painting, began to produce portraits and still lifes in oil -- new subjects in a new medium. Later in the 20th century and especially after World War II, some continued to keep up with modernism's evolutionary twists and turns through surrealism and paint-splashing abstract expressionism...
...forum, the site's neighbors expressed more concern with encouraging the building's soon-to-be owners to change the unsightly paint color and stop snow plows from driving down their streets early in the morning than with discussion of the role of Harvard in their community...
Alain Briancon cannot find the time to paint the inside of his house in Fairfax County because he has to keep answering phone calls from volunteers who want to work with his wife Maria in the Virginia Organization to Keep Abortion Legal. But pro-choice sentiment is frustrated as far as Virginia's gubernatorial race is concerned. The Republican candidate, former state attorney general Marshall Coleman, is a strict antiabortionist who says that if he wins, he will appoint only pro-lifers to health and children's services positions. His Democratic opponent, Lieutenant Governor Douglas Wilder, is seeking to become...
...edges and attachments that suggest a window frame, and thus someone (the sculptor himself) looking out into our space. These pieces are darker and less restrained. The smoothness of the glass gives way to textures of rust and even spattered lead -- the silvery color of the lead functioning, like paint, as light. They are Giacomettian in their sense of endurance, remoteness and loss. But the phase of Wilmarth's work that they began was not to be completed. This was a sad subtraction...