Search Details

Word: paint (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
Sort By: most recent first (reverse)


Usage:

...Duke game will be Harvard's ability to keep up with the Devils in the paint. The Blue Devils carry six players over six-feet tall, along with 5'11' guard Traci Williams, who averaged 9.1 points and 7.6 rebounds per game...

Author: By Peter I. Rosenthal, | Title: W. Cagers Go South to Face Duke Today | 12/1/1990 | See Source »

...editor Charles Peters once identified the "Firemen First Principle" whereby bureaucrats threatened with a budget cut insist that the only way to economize is to cut essential services. Whenever a conflict between ethical propriety and financial gain arises, Harvard invariably announces that need-blind admissions--not $35,000 to paint "artistic" stripes on the Quad--would be the first thing to go. By means of an accounting gimmick, Harvard sees that alumni contributions are channeled into scholarship funds, making it seem that every last dollar of alumni contributions is necessary to maintain need-blind admissions. It's an illusion...

Author: NO WRITER ATTRIBUTED | Title: Admissions for Fun and Profit: Why Byerly Hall Won't Tell All | 11/27/1990 | See Source »

...Engineers began breaking the Harvard pressure for easy baskets, both in transition and in the half-court game. In the first half, 17 of Lehigh's 22 field goals were either layups or short jumpers in the lane, as compared to only five Harvard buckets in the paint...

Author: By Michael Stankiewicz, | Title: Is This a Layup Drill or What? | 11/27/1990 | See Source »

Overall, the Engineers finished with 27 baskets in the paint, far outdistancing Harvard's total of 13. Dozie Mbonu led the way with 11 layups and tip-ins as part of his 11-for-17 night from the field, and Bob Krizansky added six baskets in the lane en route to a 25-point, 9-for-12 effort from the field...

Author: By Michael Stankiewicz, | Title: Is This a Layup Drill or What? | 11/27/1990 | See Source »

...Kooning, but actually he looked more like his idol, Corot, only denser and more fixed: tiny imploded scenes, whose glow and atmospheric subtlety were much admired in their time but can hardly even be assessed now. For in pursuit of jewel-like effects and deep layering of color, Ryder painted "lean over fat," so that slower-drying strata of paint underneath pulled the quicker-drying surface apart. He would slosh abominable messes of varnish on the surface, and pile up the pigment by incessant retouching until the images became quaking pitch lakes...

Author: /time Magazine | Title: Art: America's Saintly Sage | 11/26/1990 | See Source »

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