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Word: paint (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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Usage:

...Joffe's eyes, even such starchy sex acts don't sufficiently round out the story of Hester Prynne, a woman hounded for her adultery with the local vicar Dimmesdale. He also interjects a premonitory canary which appears to have fallen in a pot of scarlet (Geddit?) paint. The scarlet admonition then materializes like a cartoon birdie every time Hester (Demi Moore) glances at a man. In a High Mass of heavy-handedness, this fowl of doom engages in virtual sex with the slave girl Mituba (Lisa Jolliff-Andoh) in a bathtub while Hester and Dimmesdale (Gary Oldman...

Author: By Edward P. Mcbride, | Title: Blush With Shame | 10/12/1995 | See Source »

...didn't paint only Tories. He did one memorable portrait of Paul Revere, the artisan-radical, rhyming the smooth, rather inexpressive mass of Revere's head with the silver teapot he is holding...

Author: /time Magazine | Title: ART: JOHN SINGLETON COPLEY: RISING STAR | 10/9/1995 | See Source »

...means then available to an American painter, Copley had created a counterpart to the plain, didactic neoclassical style that Jacques-Louis David used in his portrait of the Lavoisiers: earnestness, probity, equality, set forth within the frame of marriage, an Ideal Republic of two. In England he would paint more elaborate images than this--but none more close knit and concentrated...

Author: /time Magazine | Title: ART: JOHN SINGLETON COPLEY: RISING STAR | 10/9/1995 | See Source »

Whatever compulsion artists feel towards self-portraiture, the pictures they paint clarify their artistic vision more than their personal characters. No less so for the master of cryptic film-making, Ingmar Bergman, who often saw a need to reflect on his work, though never to illuminate...

Author: By Thomas Madsen, | Title: Bergman's Fantasies Live On at The HFA | 10/5/1995 | See Source »

...glowing in the sunset after horsemen have passed by. But McMurtry found a way to retell the worn old western stories of lawmen and gunmen. The grubby, lonely, smelly God-awfulness of the Old West fascinated him, and he raised it to the level of myth, used it to paint his scenery. It is no accident that Lonesome Dove begins, "When Augustus came out on the porch the blue pigs were eating a rattlesnake--not a very big one ... 'You pigs git,' Augustus said, kicking the shoat. 'Head on down to the creek if you want to eat that snake...

Author: /time Magazine | Title: BOOKS: CLIMBING THE FOOTHILL | 9/4/1995 | See Source »

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