Word: painted
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Dates: during 1970-1979
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...would be left to his successor, Richard Cardinal Cushing, a man of simpler style, and Pope John XXIII, successor to Pius XII, to paint a picture of Catholicism which was inconsistent neither with the times nor the experiences of 20th century Americans of all faiths living in an age of rapid social change. The election of John F. Kennedy '40 to the presidency in 1961 did not so much prove that a Catholic could be president as show how little being a Catholic had to do with being president at all. These developments raised the nation's consciousness and provided...
...spice trade. Venice was turning from an imperial power into a cultural artifact. As such, she was one of the most visited cities of Europe. For an artist, a trip to see the Bellinis and Titians was an obligatory part of his education-as necessary, if he wanted to paint murals in the grand manner, as studying the classical ruins of Rome. Painters flocked to Venice from north of the Alps as well as from other centers in Italy, and this gave an eclectic tone to Venetian art. With no dominant brush to impose its presence, as Titian...
...afternoon, Pavarotti attacks his easel. Three years ago, a fan in Chicago gave him a set of oil paints after seeing him portray the artist Mario Cavaradossi in Tosca. He taught himself to paint large, naif landscapes in blazing colors, most of them based on postcard photos of places he has never seen...
...like the word decadent. All shimmering with purple and gold. It throws out the brilliance of flames and the gleam of precious stones. It is made up of carnal spirit and unhappy flesh and of all the violent splendors of the Lower Empire: it conjures up the paint of courtesans, the sports of the circus, the breath of the tamers of animals, the bounding of wild beasts, the collapse among the flames of races exhausted by the power of feeling, to the invading sound of enemy trumpets. -Paul Verlaine, circa...
...Watkins and Timothy H. O'Sullivan. He was still influenced by the so-called pictorialists, photographers given to arty blurs and poses. He also disliked the canonical painters of the American sublime, Bierstadt and Moran. "Indians and bears walking out to the edge of cliffs!" he snorts. "They'd paint the Half Dome as though it were chewing gum. No essence, no spirit?just scene painting." Adams' problem was to find a modernist vision in photography, one that corresponded to the postimpressionist avantgarde, whose works he had glimpsed at the San Francisco Panama Pacific International Exposition...