Word: painted
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Dates: during 2000-2009
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...denied. The Crimson left the Levien Gymnasium engagement empty-handed after losing the lead in the final five seconds.Down 59-58, Columbia (10-12, 5-3) took the ball at half court with 27 seconds left on the clock. Columbia guard Kevin Bulger accepted a pass, drove towards the paint and put up a jumper. 1,014 fans in Levien watched as the ball kissed the rim and bounced back towards the court, gracing the fingers of several Crimson players before finding its way back into Bulger’s waiting hands. The guard sent the ball back towards...
...opening minutes, Cornell’s Benson sunk a long jumper and dished to forward Shanna Scarselletta for an easy layup the next trip down the floor. Tay answered with an assist to Markley in stride, who picked up a foul as she hit a floater from the paint. Harvard’s constant “attack” mentality enabled them to neutralize many of Cornell’s potentially costly baskets. “We started stronger than we have been,” Delaney-Smith said. “We’re not there...
...been growing increasingly crowded since the 1950s. Every time we put even a small satellite into orbit, after all, much more than just the satellite comes along for the ride. There are spent booster stages, discarded adapter rings, bolts and panels and bits of insulation and even chips of paint being shed in the process. (See pictures of Earth from space...
...inner conflict. In one photograph left untitled, the concept of tribal masculinity is emphasized by the intense light that shines on Fani-Kayode’s chest, which is puffed up like that of a bird trying to impress a potential mate. In his outstretched hands, he carries colorfully painted tribal feathers that he fans towards the camera lens. Here, Fani-Kayode captures an aggressive figure who simultaneously offers the comfort of tradition through a symbolic image of culture. However, the photograph also reveals a cultural prudishness through its aversion to the open expression of sexuality. The region below...
...inevitable exhaustion, though not quite successfully, by opening with “Contender,” an airy, gorgeous tale of a hapless admirer of music and art, destined never to create, only to consume. It is, in a sense, the picture the band’s detractors might paint of them. They acknowledge the issue, and in doing so, seek to move above it, displaying a level of forethought that suggests they are more than a glorified cover band.On the whole, they manage to compensate for the exhaustion that can come from such a poppy record, and generally, they...