Word: painter
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Dates: during 1980-1989
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Running for seats on the Board along with Issac are Evelyn Fox Keller '63, Ruth Messinger '62, Michael D. Tanzer '57 and Nell Irvin Painter, who graduated from the Graduate School of Education in 1974. Harvard will mail ballots for the election to more than 200,000 alumni in April, and the election results will be announced at Commencement on June...
...meets: "Take off your clothes." A handsome Prague surgeon, he is also an epic womanizer -- a kind of Columbus or Cousteau, eager to chart the provocative depths of womankind. "Is every woman a new land, whose secrets you want to discover?" The questioner is Sabina (Lena Olin), a painter and Tomas' frequent mistress whose principal props are her mirror and her quaint black bowler. The mirror is Sabina's canvas, her lover, her critic; the hat is an emblem of her willingness to walk out on a lover or a country when it gets too messy, too close. Like Tomas...
...five candidates HRAAA is supporting this year--Michael Tanzer '57, PhD '62, Ephraim Isaac PhD '69, Nell Painter PhD '74, Evelyn Fox Keller PhD '63 and Ruth Messinger '62--will, I am sure, show an equivalent range of interests and social justice goals for the University. And the University administration, and uninformed and misinformed alumni/ae, will continue to shout "single-issue candidates." Chester W. Hartman...
...surrealism -- was bewildering. But they seemed portents of cultural renewal; so even with Japanese who were painfully aware that their country had a name in Europe for imitation, not invention, the need overran the obstacles. "Of course one has to imitate," remarked one old Paris hand, a Western-style painter named Mitsutani Kunishiro, in 1931. "Even if we want to create works that are uniquely Japanese, we still need to look at Western paintings in order to supplement our own deficiencies...
...walls and loosely-fixed posters he found on the back streets." Saeki today is a culture hero in Japan, a Van Gogh-like figure who killed himself in a fit of despair over his art at the age of 30 in 1928 -- a strange freak of reputation for a painter whose work seems not much more than sensitive pastiche of those two archbores of the Ecole de Paris, Maurice de Vlaminck and Maurice Utrillo...