Word: painter
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Dates: during 1990-1999
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...Claude Monet, the quintessential impressionist painter, was born in 1840. That year Queen Victoria married Prince Albert, and in France both Ingres and Delacroix were at work. In 1926, when Monet died, Lenin was two years dead, and Picasso was already a middle-aged man of 45. Having lived such a span, Monet in old age looked like a relic of the 19th century -- hardly a modern artist at all. What could his painting offer a postcubist culture...
...catalog essay, curator Paul Hayes Tucker, the leading U.S. expert on Monet, has set out to amend a number of received ideas about the artist. Chief among them is Cezanne's opinion: "Only an eye, but my God! What an eye!" In this view, Monet becomes a painter of mere sensation, exquisitely attuned to every sense impression but lacking social point and intellectual fiber...
Director Kathryn Bigelow is Hollywood's suavest young stylist. Trained as a painter, she brings glamour, precision and thrill to every image. This film, bound as it is by action-movie conventions, hasn't the originality of her stunning horror drama Near Dark, and toward the end Blue Steel spins goofily off track. But it has a handsome time getting there, propelled by Curtis' sensible sensuality and Silver's bravura creepiness. These two help dramatize the danger any woman can find in the desperate intimacy of a big city. By the climax, Megan has to be thinking of Eugene...
SELECTIONS AND TRANSFORMATIONS: THE ART OF JOHN MARIN, National Gallery of Art, Washington. John Marin (1870-1953), a gifted painter whose dynamic, semi- abstract seascapes and urban scenes made him one of America's leading modernists, is surely due for a comeback. Perhaps this comprehensive sampling of his works could be the start of it. Through April...
Along with Susan Rothenberg, Joel Shapiro, Neil Jenney and a few others, the painter Robert Moskowitz usually gets credited with bringing figurative imagery back into "advanced" art at the end of the 1970s. Whether you think this true depends on where you were looking. In fact, serious figurative art never went away -- it just got hammered out of fashion by minimalism, the last great American style, in whose reductive embrace Moskowitz grew up just as it was coming to an impasse. As for "advanced," who gives a damn anymore? But no matter: Moskowitz's current exhibition at the Museum...