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Barcelona was the place where Picasso studied, where Salvador Dali grew up, and out of whose deeply conservative traditions of family and rural life Joan Miro, Catalunya's greatest painter since the 14th century, was able to fashion an art of the most radical poetry. And the best buildings constructed anywhere in Spain between 1860 and the outbreak of World War I were all in Catalunya, and mostly in Barcelona. The combined talents of its turn-of-the-century architects made it La Ciudad de los Prodigios, or the City of Marvels, as the Catalan writer Eduardo Mendoza titled...

Author: /time Magazine | Title: The City Homage To BARCELONA | 7/27/1992 | See Source »

...architecture is that of a great sculptor -- witness the totemic chimneys and ventilators on the Casa Mila and the Palau Guell -- and a remarkable painter too: the facade of Casa Batllo, on the opposite side of Gracia, is as atmospheric as a Monet, sparkling with drifts of blue and green mosaic. Nor should one miss the iron dragon gate of the Finca Guell, or the crypt of the Colonia Guell -- the chapel of an industrial community for weavers at Santa Coloma de Cervello, half an hour's drive from Barcelona -- or the Parc Guell, with its ravishing Hansel-and-Gretel...

Author: /time Magazine | Title: The City Homage To BARCELONA | 7/27/1992 | See Source »

...Bloodbrothers, another stunning tale of working-class Bronx brawlers. But he was never really part of the violence. "I was a member of the Goldberg gang -- we walked down the street doing algebra," he says in an interview in the lower-Manhattan loft he shares with his wife, the painter Judy Hudson, and daughters Annie, 7, and Gen, 5. "I just basically grew up on the periphery of things, and so by instinct I was an observer and a reviser of the world...

Author: /time Magazine | Title: Bringing It All Back Home: RICHARD PRICE | 7/13/1992 | See Source »

...European Community subsidies, it built $30 billion worth of highways and other public works. No longer did Spaniards have to emigrate north for jobs: their income rose to 79% of the E.C. median. Culturally, Spain became fashionable: the campy fantasies of filmmaker Pedro Almodovar; the sunswept abstractions of painter Miguel Barcelo; the postmodern extravaganzas of architect Ricardo Bofill; the prankish sexiness of fashion designer Sybilla. Madrid promoted itself as the eye of a creative tornado known as la movida, whirling all night long. Novelist Camilo Jose Cela won the 1989 Nobel Prize for Literature. "In the 1960s, we felt like...

Author: /time Magazine | Title: The Dark Side of Spain's Fiesta | 7/13/1992 | See Source »

...doubt one's preference for Guercino's drawings over his paintings is partly caused by the modern liking for the immediate over the highly finished. Guercino liked the flicker of consciousness to show. In a famous passage, Leonardo da Vinci advised the painter to take inspiration from random pattern, like the mottled stains on an old wall; Guercino seems to have believed this too. One of the drawings in the show, Three Bathers Surprised by a Monster, starts with some random splatters of ink on the blank page; briskly and humorously, with a few minimal strokes, one of these blot...

Author: /time Magazine | Title: The Vision of The Squinter | 6/29/1992 | See Source »

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