Word: painter
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...amours with Actresses Brigitte Bardot, Catherine Deneuve and Jane Fonda are behind him now, and French Film Director Roger Vadim has been pursuing other muses. "To be a director is to be a painter in a way," he says by way of explaining his new interest. "You train your sense of aesthetics, of color, objects, volume and light. Most of the time when I was making my last movie, I was acting like a painter." Vadim, 47, who now shares his Paris menage with Lover Catherine Schneider and their one-year-old son, works primarily at night, putting his amateur...
...lectures in 1939-40 on "The Poetics of Music in the Form of Six Lessons" are strong examples; they're the only lectures to be given in a foreign language, French, Aaron Copland was the Norton lecturer in 1951-52 with "Music and Imagination." And in 1956-57 the painter Ben Shahn not only gave "exceptional lectures" on "The Shapes of Content" but he set up a studio in the basement of the Fogg museum, where he allowed students to watch him at work. Sometimes he helped them with their own. Four years before Shahn, e.e. cummings came to Harvard...
...would like to live in a very grand place. But as in painting you make such a mess, I prefer to live in the mess with the memories and the damage." In photographs of the artist in his studio, we see the most famous English painter of his generation lurking in his lair. The camera flattens the owl-like eyes and avian nose into the mask of a pudgy child surrounded by a volcanic sludge of rubbish: the walls daubed with paint, the tables and floor buried under a dune of exhausted tubes, boxes, crumpled photographs, muck. These...
...firm believer "that easy writ ing makes hard reading." The hack is the kind of man who dashes off a few mysteries before breakfast and boasts of popularizing Shakespeare so that he will be "comprehensible to the veriest moron ... to even a rock fan." He is also a painter with a worldwide reputation...
...happily) not yet. Apart from the delectability of his work, it becomes increasingly clear that Monet, whose painting life began in the 1860s and spanned almost 70 years, was as fundamental to 20th century art as Cézanne. Bonnard, Pollock and Rothko, not to mention every color-field painter who came out of an art school, lie cradled in Monet's woven strands of pure color. Consequently the Art Institute of Chicago's Monet retrospective of more than 120 paintings, which opened last week, is an event of real importance: the man has never been better represented...