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Mellow has fine vignettes from the '20s and '30s. Francis Picabia, the rich, eccentric Cuban painter-owner of 100 autos in his lifetime-darts in and out of the narrative. "If you want clean ideas, you must change them as often as your shirts," he advised Gertrude. Her triumphant American tour in 1934 is a familiar story, but Mellow has new anecdotes, such as renting a You-Drive-Yourself car in Chicago because Gertrude was enchanted by the firm's name...

Author: /time Magazine | Title: Books: Steinways | 3/4/1974 | See Source »

...unpleasant?" a female admirer once asked James McNeill Whistler. "My dear, I will tell you a secret," the cocky 5-ft. 4-in. American painter replied. "Early in life I made the discovery that if one is delightful, one has to thrust the world away to keep from being bored to death...

Author: /time Magazine | Title: Books: Mother's Boy | 2/11/1974 | See Source »

There is, of course, a difference between the lucid gray washes and quick flecks of ink with which the painter Chii-jan, at the end of the 10th century, painted a Buddhist Retreat by Stream and Mountain, and the clumsy spatterings that often declare "spontaneity" in the West. It is partly a difference of insight -Chii-jan's mountain, breathed into serenely vertical form, layer by stratified layer, is as mysterious in its allusions to geological time as any Leonardo landscape. It is also a difference of discipline. The wen-jen served no apprenticeship, and the idea of being...

Author: /time Magazine | Title: Art: The Colors of Ink | 1/28/1974 | See Source »

MUSEUM OF FINE ARTS, Exhibition of Works by Horacio Torres, contemporary figurative painter, Face and Figure: recent interpretations by several artists...

Author: NO WRITER ATTRIBUTED | Title: exhibits | 1/17/1974 | See Source »

...Diderot sounds unjust, it is not simply because the tone of our culture has swung back to a less civilized amorality in which our pornography is brutish. It is because, when the routine conventions of his work are subtracted, Boucher remains a startling and almost great painter. The sensuousness, the lively plasticity of drawing, the marvelous sensitivity to color and texture, the ironic grasp of elaborate mythologies and allegories still remind us of Talleyrand's wistful epitaph on the ancien régime - that no one who did not live before the Revolution can know the sweetness of life...

Author: /time Magazine | Title: Art: Pink Is for Girls | 1/7/1974 | See Source »

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