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...Amateur Painter. This week, on the 75th anniversary of Gershwin's birth, the music, record and publishing worlds are paying tribute to that originality, and to the man behind it. Among the new LPs, the most irresistible is a Nonesuch release on which William Bolcom plays Gershwin's piano pieces, including the composer's variations on songs like Clap Yo'Hands, S'Wonderful and, of course, Swanee. An exhibition at Manhattan's Hallmark Gallery shows Gershwin to have been versatile enough to double as a gifted amateur painter and caricaturist, if somewhat prone...

Author: /time Magazine | Title: Music: Tribute to an Original | 10/1/1973 | See Source »

...enfant terrible breaking windows in the temple of art. From the beginning, Marcel, the son of an haul bourgeois notary in Rouen, was recognized as a prodigy. At 17 he joined his brothers in Paris to study art; in a 1904 work his technique already reveals a mature painter under the heavy, almost suffocating influence of the past. Even The Chess Players (1911) bears the shadow of Cezanne in its formal palette and in the calculated arrangement of figures. The rebel remains disguised in traditional tones−or in the Fauvists' coat of many colors−until The Sonata...

Author: /time Magazine | Title: Art: Variations on an Enigma | 9/24/1973 | See Source »

...best Godards, the director has timed his camera to cut away just when things grow unendurable. Boredom is an important part of real social documentation, although in spite of it we never feel here that these workers are too immiserated. At some points the deftness of a spray painter, or the practiced touch of a door fitter, becomes surprisingly absorbing; at others, the jerky, repeated shifting of an eye as a girl watches her machine, or a stoic machinist impart the pain of a single muscle and the exhaustion of an unmoving face...

Author: By Phil Patton, | Title: Film in Venice | 9/24/1973 | See Source »

After the killing of the Yablonskis, the FBI, checking fingerprints left at the scene, quickly arrested three men: a house painter named Paul Gilly and a pair of young drifters, Aubran Martin and Claude Vealey, all from Cleveland...

Author: /time Magazine | Title: LABOR: The Fall of Tony Boyle | 9/17/1973 | See Source »

...Cutting directly into color," Matisse wrote in 1947, "reminds me of a sculptor's carving into stone." Kelly's work, both as painter and as sculptor, now seems like a reverberation of that remark: the colors he uses- red, green, yellow, blue, plus black and white - are more object than atmosphere. Their presence is dense, their shape irrevocable. This, coupled with the extreme deliberation with which he shaves his contours, makes for very responsible painting. The weight of each decision, every nick and turn of shape, comes to resemble a moral choice. And so Kelly comes...

Author: /time Magazine | Title: Art: Classic Sleeper | 9/17/1973 | See Source »

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