Search Details

Word: painter (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

Designer Emilio Pucci, who is as earnest about politics as he is about fashion, lost his Liberal seat in the Chamber of Deputies in spite of a campaign in which he averaged four speeches a day. Communist Novelist-Painter Carlo Levi (Christ Stopped at Eboli) was dropped from the Senate. On the other hand, Franco Maria Malfatti, a former president of the Common Market Commission, was easily re-elected a Christian Democratic Deputy. Admiral Gino Birindelli, until recently commander of NATO's Mediterranean naval forces and now the darling of Italy's right, also won a seat...

Author: /time Magazine | Title: ITALY: Forward to the Past | 5/22/1972 | See Source »

Between 1820 and 1900, scores of artists went west by wagon, railroad or stage: painters, illustrators, draftsmen. It was, as has often been said, one of the crucial experiences in American culture, and in their work one sees the ideal of Arcadia being identified with an actual landscape. The West was not only a place but a state of imagination, which could invest almost any tract of virgin country between the Appalachians and the Rockies with a kind of epic innocence: nature unspoiled, inhabited by prelapsarian man. One itinerant painter, Worthington Wittredge, met the legendary scout Kit Carson in Santa...

Author: /time Magazine | Title: Art: Draw, Pardner | 5/22/1972 | See Source »

Paradise. The most accomplished romantic, and by far the best American painter to go west, was the German-born Albert Bierstadt, who joined an expedition to the Rockies in 1859 and later worked up a series of big landscapes from his sketches. Estes Park, Colorado, 1869, is a magnificently rhetorical painting, but the hyperbole was constrained by Bierstadt's lyric exactness of eye as it roved across the calm lake and the billowing mist and crags behind. Such, the brush insists, are the lineaments of an earthly paradise...

Author: /time Magazine | Title: Art: Draw, Pardner | 5/22/1972 | See Source »

...either. He is guided by his sense of what a loyal policeman should do and think. When the ugliness of events looms before him, he shuts his eyes and keeps on working. He lacks the humanity of Nansen, who agrees to hide the deserter Klaas from the Gestapo. The painter quickly abandons generalities when he is confronted by a contradictory reality. Although Nansen joined the Nazis when the Party was still a small band of loudmouthed chauvinists, he rejects the National Socialist State just as everybody begins to cheer it, because he sees the brutality behind the ideals...

Author: By Arthur H. Lubow, | Title: Watching the Holocaust--From a Distance | 5/18/1972 | See Source »

...triumph of Nazism. The exceptional man, the artist of whatever profession who can see through the lies, resists. The rest follow. And even Nansen turns his eyes from the central horror. When the breeze wafts the black smoke of the death camp ovens towards the small town where the painter and the policeman live, the two men have lies to blow the smoke away: "the Dutch are burning peat, they said, and their minds were at rest...

Author: By Arthur H. Lubow, | Title: Watching the Holocaust--From a Distance | 5/18/1972 | See Source »

Previous | 396 | 397 | 398 | 399 | 400 | 401 | 402 | 403 | 404 | 405 | 406 | 407 | 408 | 409 | 410 | 411 | 412 | 413 | 414 | 415 | 416 | Next