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They are some of the most enduring images of Australian art. Having made his home in a thatched hut on an island off the coast of Queensland, eccentric Scottish-born painter Ian Fairweather (1891-1974) began to harmonize a lifetime of influences and impulsive traveling. Mixing Taoist philosophy with Cubism, and Ab-Ex drips with Chinese calligraphy, his grandiloquent '60s works like Monastery and Monsoon transcended abstraction to become austere meditations in paint, as elemental as lightning. And all the more remarkable considering their flimsy foundations - they were often completed on carboard with the cheapest...

Author: /time Magazine | Title: Remastering the Record | 8/22/2005 | See Source »

...process, Stevenson has cast the usual artistic ideas about Fairweather adrift. While a 1994 retrospective installed the painter in the pantheon of Australian Modernism, "I actually believe this in a way undersells his achievements," says Stevenson, a graduate of Auckland's Elam School. "The story of his life seems somewhere between Gauguin and the hippy movement, and this aspect of his practice is also important and fascinating." Through his research, Stevenson began to see himself in Fairweather. The latter lived his last two decades as a virtual recluse on Queensland's Bribie Island, and the New Zealander, who moved...

Author: /time Magazine | Title: Remastering the Record | 8/22/2005 | See Source »

...Salafi brothers' killing or his assassination had already been planned. Regardless, the killings then escalated. At least 33 people--Sunni and Shi'ite alike--have been killed in Washash this year, and the pace seems to be picking up. One of the latest victims was Shi'ite house painter Ali Jeri, whose death was especially painful to the neighborhood. Jeri was known as a kind and wise mediator who had many Sunni friends. Three gunmen pulled up in a car while he was painting and shot him in front of his child. Not long before that, Jeri had told...

Author: /time Magazine | Title: Killers in the Neighborhood | 8/21/2005 | See Source »

...Mexican painter Frida Kahlo's self-portraits are now reproduced on boxes, bags and chairs, but she can never be entirely domesticated - her painful images still belong to her, and still have the power to shock, as can be seen at "Frida Kahlo," a retrospective of nearly 90 works at London's Tate Modern until Oct. 9 (tel: [44-20] 7887 8008; www.tate.org.uk). Her work has been labeled socialist, feminist and Surrealist - but she defied every pigeonhole. What is certain is that her life played like a soap opera: at 18 she was horribly injured in a bus crash...

Author: /time Magazine | Title: Drawn From Life | 8/7/2005 | See Source »

...Mexican painter Frida Kahlo's self-portraits are now reproduced on boxes, bags and chairs, but she can never be entirely domesticated?her painful images still belong to her, and still have the power to shock. See them at "Frida Kahlo," a retrospective of nearly 90 works at London's Tate Modern until Oct. 9 (tel: [44-20] 7887 8008; www.tate.org.uk). Her work has been labeled socialist, feminist and Surrealist?but she defied every pigeonhole. What is certain is that her life played like a soap opera: at 18 she was horribly injured in a bus crash...

Author: /time Magazine | Title: Drawn from Life | 8/6/2005 | See Source »

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