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Word: painterly (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

Levine fares immeasurably better. The two small canvasses, Nude Reclining and Two Politicians, show the painter at a maximum of cogency and sensitivity. The latter canvas happily succeeds more as a painterly statement than as a social comment. Its small size preserves at once its impact and its nuance. Advocacy can be carried off to advantage in the arts, but it has a way of corrupting all but the strongest. Some of Levine's much heralded larger canvases plead excessively where their business is to resolve. In this respect, a splendid containment and innate dignity comprise one major superiority...

Author: By Paul W. Schwartz, | Title: Bloom and Levine | 3/17/1959 | See Source »

Most discussed young painter of 1959 is Barcelona's Antoni Tàpies, who won the top prize at last year's Carnegie International (TIME, Dec. 15). To see what the shouting is about, Manhattanites last week were flocking to a Tàpies exhibition at the Martha Jackson Gallery. A few of those who came to praise remained to scoff, and vice versa, for Tàpies does not fit the abstract-expressionist fashion. Though fiercely independent, his art is more cool than hot, more gloomy than exuberant and more calm than wild...

Author: /time Magazine | Title: Art: The Black Prince | 3/16/1959 | See Source »

Dangerous Activity. Author Ashton-Warner, a teacher for 17 years in Maori schools and an amateur painter and musician, has fashioned a strikingly individual style: her sentences come tumbling forth like precision acrobats, alive with imagery, sensuous perception, heroic echoes. The full-lunged children are so noisily present that, for many, reading Spinster will seem like living next door to an all-day playground. The adults are drawn as well, with acute observation of the irritable crankiness that so often accompanies dedication, and with a tragicomic sense that it is often the most trivial despair that most startlingly changes...

Author: /time Magazine | Title: Books: Wildly Alive | 3/16/1959 | See Source »

This decision set up a cultural clamor. Feelings were heightened by the action of the divorced wife of Painter Andre Derain, who, suing for her share of the "community of goods," had sequestered Derain's studio and denied him access to a painting he was still working on. As sometimes happens in France, popular feeling outweighed the rigidities of law. Last week a court of appeal in Orleans reversed the decision of the Court of Cassation, handed down a final verdict awarding Bonnard's property to his own heirs...

Author: /time Magazine | Title: FRANCE: Pierre & Marthe | 3/9/1959 | See Source »

...There had been bred within this painter," says Sellers, "a call to the lofty and obscure and an artist's sensitive pride. He had seen from within himself what held the sun and stars and planets in their courses, but could not find his way and purposes among the nearer things. He had to have, somewhere in the world, a place of perfection of his own, though it should be only the little one of laughter, of surprise, only the illusion of fruit upon a table rich with the juices of summer...

Author: /time Magazine | Title: Art: Wizard Lush | 3/9/1959 | See Source »

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