Word: painterly
(lookup in dictionary)
(lookup stats)
Dates: during 1950-1959
Sort By: most recent first
(reverse)
...painter Lasker selected as "the man I'll bet on" was Matisse; his collection has nine Matisse oils, and he hedged his hunch by buying eleven Picassos and four Braques. Endowed with a natural flair for color and design, Lasker was delighted to find that his eye automatically picked out the best of the lots shown him by dealers. He also discovered: "One not only has to pay the highest prices, but also a premium for the privilege of paying the highest prices...
...Here is eternal fame!" exclaimed 16th century Artist and Chronicler Giorgio Vasari of Simone Martini, the Sienese painter who lived 200 years before Vasari's time. What provoked Vasari's admiration and envy in this case was not Martini's painting, which Vasari noted was "rapidly perishing," but the fact that Petrarch had mentioned Martini in two sonnets. Last week history reversed Vasari's order of precedence. Few but antiquarians care whether Martini was mentioned by Petrarch or not, but the discovery of a hitherto unknown Martini Madonna and Child (see cut] is the talk...
...took the world a long time to see through to William Blake. In his own time he was an obscure figure; for decades after his death, he was considered no more than an interesting eccentric. Now, 200 years after his birth, Poet-Painter Blake is receiving homage at home and abroad...
...Bonnets Off!" Since British landscape painting did not reach its peak until the igth century (with Turner and Constable), it is by its portraiture that 18th century British painting stands or falls. Sir Henry Raeburn (TIME, May 28, 1956), Scotland's greatest painter (he rated the cry of "Bonnets off!" from Highland chiefs), was largely self-taught. His portrait of the two older Ferguson boys, The Archers, was painted when Raeburn was only 31, but in its bold composition device and dramatic lighting it ranks with the best of his work. Allan Ramsay was another Scottish painter, whose paintings...
...could have been at further remove from the new-found refinement of the great country houses than Satirist William Hogarth, whose province was the raucous underside of London. Hogarth painted The Painter and His Pug as an unframed self-portrait, propped up by volumes of Shakespeare, Swift and Milton, and intended it to be used as the frontispiece for his collected engraved works. Later, after he engaged in a ferocious political quarrel with John Wilkes and Charles Churchill (no kin), Hogarth issued a fresh impression. In it his portrait was replaced by a vitriolic caricature of "Bruiser" Churchill, drawn...