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Word: painterly (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...fear that creativity interefered with the liberal arts was the second block the painter cited. Both artists and academicians, he added, must guard against the adoration of great art of the past to the exclusion of creativity on their own part...

Author: By Lowell J. Rubin, | Title: Shahn Says U.S. Colleges Could Become Art Center | 11/15/1956 | See Source »

Contrast the picture of courageous Bishop Ordass shown in your Oct. 22 Religion section with the pictures of Christ. I'll wager the true Christ looked more like Bishop Ordass and the Middle Ages' conception of Christ than the silly, grinning, effeminate, puffy-cheeked companion by Painter Ivan Pusecker...

Author: /time Magazine | Title: Letters, Nov. 12, 1956 | 11/12/1956 | See Source »

...canvas with all the enthusiasm of his age, disdaining preliminary sketches in favor of a bold, direct approach with brushes loaded with paint. In later ages, the elegant powdered peruke of the 18th century looked askance at Hals's clearly visible brush strokes. But French 19th Century Painter Edouard Manet grasped Hals's secret of laying colors side by side, used it for his own bold compositions and made the technique a cornerstone of French impressionism...

Author: /time Magazine | Title: Art: DIRECT DUTCHMAN | 11/5/1956 | See Source »

...Painter's Part. Best of the lot. perhaps, was Trumbull's small Declaration of Independence (see cut). (The Atheneum was unable to borrow the actual painting from the Yale University Art Gallery, but it did exhibit a later version.) In only 30 inches of width, Yale's picture contains 48 portrait figures, all grouped naturally and convincingly in a manner suited to the solemn occasion. Among them, at the table before John Hancock, stand John Adams, Roger Sherman. Robert R. Livingston, Thomas Jefferson and Benjamin Franklin. The painting is a set piece, but Trumbull succeeded in conveying...

Author: /time Magazine | Title: Art: Gentleman John Trumbull | 10/29/1956 | See Source »

WHEN French Painter Georges Braque walked into Pablo Picasso's cluttered Montmartre studio on the Rue Ravignan 49 years ago, he saw on the easel a painting unlike anything he had ever imagined. Said Picasso fiercely, "This is going to cause a big noise." And Picasso was right; his crosshatched galaxy of pink nudes, Demoiselles d'Avignon, ranks today as a turning point in art. But at the time, all that flabbergasted Georges Braque could say was, "You are trying to make us drink petrol in order to spit fire...

Author: /time Magazine | Title: Art: BRAQUE: THE COOL FIRE-SPITTER | 10/29/1956 | See Source »

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