Word: painterly
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Dates: during 1960-1969
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Edouard Vuillard was, in his own words, an armchair painter. In search of subject matter, he rarely ventured beyond the Montmartre apartment he shared with his mother, and then only to the homes of his few close friends. The apartment also served as his mother's dressmaking shop; it was constantly alive with seamstresses and customers exchanging confidences about fittings, and cluttered with bolts of satins and silks, ribbons and pattern snippings. In this homely setting, Vuillard, who derisively referred to himself as "the in-timist," fashioned vignettes of quiet domesticity that suggest a less radiant...
Constructivism began in Russia as a spidery brand of pure and formal abstraction. Some proclaim Naum Gabo as its founder; some argue that his brother, Antoine Pevsner, has an equal claim; and some urge the case of Painter Kasimir Malevich. Now Stockholm's Modern Museum has mounted an exhibit of paintings, photographs and models designed to show that Vladimir Tallin (1885-1953) was the most constructive constructivist...
...France's war with Spain, and when he decided to build himself a château on a tract of land that he owned halfway between Paris and Fontainebleau, he spared no expense. He summoned Louis Le Vau, the leading architect of the day, Charles Le Brun, a painter and interior decorator, and a landscape designer named André Le Nôtre. A special workshop with Flemish artisans was set up nearby at Maincy to execute Le Brun's tapestry designs. The chateau's 105 rooms were furnished with armchairs of Chinese plush and Persian carpets...
...other half of the book, Albert Handley-a middle-aged madcap painter presiding over a whole circus of a family in Lincolnshire-rages against the sudden wealth and new-found fame threatening his old bohemian way of life. His children pester him for money, journalists hound him for interviews. Visions of unborn paintings torment his days and nights. He, too, claims to be a revolutionary-making money so that he can tear down the social structure that feeds...
...scene is a seaside village on a remote stretch of Canada's Gaspé Peninsula. Almond uses his color camera as a landscape painter might, pausing now to frame a snow-banked brook and barnyard, now a pile of upturned boat hulls rotting in the winter sun. The country store, the local garage with the inevitable Coca-Cola sign and the railroad tracks piercing through the barren hills like a steel spine flash by in a blur of fast cuts. And always there is the distant, forlorn sound of cowbell and gull cry, wind and heaving...