Word: painterly
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Dates: during 1980-1989
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...same complaints might be made about Clarke's Miracolo d'Amore, which is rescued by being exquisitely beautiful. Clarke usually credits a painter with inspiring her imagery. This time it is Tiepolo. But the ancient crone sweeping and cackling, the commedia dell'arte clowns, the quartet of nude women gently interweaving in a dance, the men employing a variety of bird noises, the eerily believable copulation between a girl and a skeleton also bring to mind Cocteau and Gertrude Stein and Picasso and Diaghilev. If more explicitly violent and more frequently nude than necessary, Miracolo is nonetheless a fitting tribute...
...touching eagerness of converts leaves some veterans bemused. Gardening, they will tell you, is a vocation, not a gift, and requires work and experience to master and love. "I see these specimen trees coming down the highway from the nursery wrapped like Egyptian mummies," says Long Island Painter Robert Dash, "and I think, 'God, the gardening world has got out of hand...
...ever begrudged the artist his success. Hockney is that rarity, a painter of strong talent and indefatigable industry who has never struck the wearisome pose of il maestro and has been grounded, throughout his career, in the bedrock of Yorkshire common sense. Self-mockery may not be his long suit, but Hockney is the least arrogant of men, and his achievement, uneven though it looks, is a distinguished one. It can be assayed in the retrospective of some 200 works -- paintings, prints, drawings, photocollages, stage designs -- that, having originally been put together by the Los Angeles County Museum...
...think of Hockney is to think of pictorial skill and a total indifference (in the work, at least) to the dark side of human experience. Does the latter make him a less serious painter? Of course not, any more than it trivialized the work of that still underrated artist Raoul Dufy. At root, Hockney is popular because his work offers a window through which one's eye moves without strain or fuss into a wholly consistent world. That world has its cast of recurrent characters -- friends, lovers and family. Hockney's portraits of his parents, in particular, are full...
Mavimbela, 26, is the broad-shouldered son of a house painter. He dropped out of school at 17: the family lacked the money to pay school fees for six children. Drifting from township to township, he found no steady work. Two friends invited him to act in a play about a youth who fled after the Soweto uprising of 1976 to join a guerrilla army. Furtively, the three would perform in community halls in black townships, ready to escape through a back door should police arrive...