Word: painterly
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Dates: during 1980-1989
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...trio-made up of Granberg, a retired New York state investigator; Salvatore Rignola, a New York City fire marshal; and Julian Farriel, a house painter-were buffeted by bruising ocean tides. Rignola and Farriel would later tell the authorities that Granberg, 6 ft. 4 in. and 275 lbs., offered to change places with Rignola, who was perched precariously in the middle. As Granberg stood up, his friends said, his foot slipped on the wet seat, and he vanished overboard...
...that city of dandies, Paris. To read his friends and admirers, you would suppose that he never uttered a pompous word. His sense of measure, corrected by self-doubt, found expression in a sweet offhandedness. "Conciseness in art is a necessity and a grace," he told a younger painter "Cultivate your memory; for nature will never give you more than information. . . No set pieces! Please, no set pieces...
...some are former political prisoners and professionals. But an estimated 10,000 to 15,000 Marielitos are violent criminals and former mental patients, forced by President Fidel Castro to leave the country. "Two groups were on the boatlift: those who came and those who were sent," explains Miami-based Painter Victor Gomez, who says he arranged to be falsely classified as a delinquent to join the exodus. "It was Castro's diabolical strategy to give all Cuban exiles a bad image and get rid of antisocials...
That snappy performance reflected the damn-the-expense attitude of Alan Bond, 45, the swashbuckling tycoon from Perth (real estate, mining, oil), who heads the Australia II syndicate. Bond, a onetime sign painter, is making his fourth try for the Cup, a record surpassed only by Britain's indomitable Sir Thomas Lipton earlier in the century. In his latest bid, Bond could spend as much as $3.5 million for a prize initially valued at only 100 guineas (about $70 by current reckoning...
...Penck, 43, is a lesser painter and sculptor than Baselitz, but he is a more curious figure. Credit where credit is due: his huge early pictographs like Standard, 1971, have an undeniable, simple power, even a degree of mystery. One realizes where a New York graffiti artist like the fulsomely promoted Keith Haring, 25-the Peter Max of the subways-filched his ideas, a decade later. Penck's paintings consist of stick figures and linear signs, enacting parodies of myth, ritual and archaic language. They draw on a wide range of sources, from algebra to Dipylon vases, from...